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It drove artists to look for new approaches and dramatically illuminated scenes, elaborate clothes and compositions, elongated proportions, highly stylized poses, and a lack of clear perspective. Leonardo da Vinci and Michelangelo were each given a commission by Gonfaloniere Piero Soderini to decorate a wall in the Hall of Five Hundred in Florence.
Horatius Cocles, engraving by Hendrick Goltzius – an example of a Figura serpentinata. Figura serpentinata (lit. ' serpentine figure ') is a style in painting and sculpture, intended to make the figure seem more dynamic, that is typical of Mannerism. It is similar, but not identical, to contrapposto, and features figures often in a spiral ...
The figura serpentinata is a variant or development of the pose. The term is usually applied only to art from the Renaissance onwards, and Donatello is often regarded as its inventor. [4] While in all these periods the S-curve originated in sculpture, it was also used in two-dimensional figures in various other media.
Primarily through the depiction of architecture, Renaissance artists were able to practice the art of three-dimensional illusion using linear perspective, which gave their works a greater sense of depth. [3] The pictures in the gallery below show the development of linear perspective in buildings and cityscapes.
A figure drawing is a drawing of the human form in any of its various shapes and postures, using any of the drawing media. The term can also refer to the act of producing such a drawing . The degree of representation may range from highly detailed, anatomically correct renderings to loose and expressive sketches.
For some artists, there is a calisthenic logic: just as an athlete warms up before exercising or participating in sports, artists use gesture drawing to prepare themselves mentally and physically for a figure drawing session. The fast pace of gesture poses helps an artist "loosen up" to avoid a stiff drawing style.