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In poetry, internal rhyme, or middle rhyme, is rhyme that occurs within a single line of verse, or between internal phrases across multiple lines. [1] [2] By contrast, rhyme between line endings is known as end rhyme. Internal rhyme schemes can be denoted with spaces or commas between lines. For example, "ac,ac,ac" denotes a three-line poem ...
ABAB – Four-line stanza, first and third lines rhyme at the end, second and fourth lines rhyme at the end. AB AB – Two two-line stanzas, with the first lines rhyming at the end and the second lines rhyming at the end. AB,AB – Single two-line stanza, with the two lines having both a single internal rhyme and a conventional rhyme at the end.
End rhyme (aka tail rhyme): a rhyme occurring in the terminating word or syllable of one line in a poem with that of another line, as opposed to internal rhyme. End-stopping line; Enjambment: incomplete syntax at the end of a line; the meaning runs over from one poetic line to the next, without terminal punctuation.
scan of Tommy Thumb's pretty song book. Tommy Thumb's Pretty Song-Book is the oldest extant anthology of English nursery rhymes, published in London in 1744.It contains the oldest printed texts of many well-known and popular rhymes, as well as several that eventually dropped out of the canon of rhymes for children.
Broken rhyme is a type of enjambement producing a rhyme by dividing a word at the line break of a poem to make a rhyme with the end word of another line. Cross rhyme matches a sound or sounds at the end of a line with the same sound or sounds in the middle of the following (or preceding) line. [8] A rhyme scheme is the pattern of rhyming lines ...
Monorhyme is a passage, stanza, or entire poem in which all lines have the same end rhyme. [1] The term "monorhyme" describes the use of one ( mono ) type of repetitious sound ( rhyme ). This is common in Arabic, Latin and Welsh work, [ 2 ] such as The Book of One Thousand and One Nights , [ citation needed ] e.g., qasida and its derivative kafi .
Iona and Peter Opie traced this rhyme back to Netherlands in the 1890s. When they were collecting games in the 1960s and 1970s the version they encountered was: Wind the bobbin up, Wind the bobbin up, Pull, pull, Tug, tug, tug. [2]
The Hudibrastic relies upon feminine rhyme for its comedy, and limericks will often employ outlandish feminine rhymes for their humor. Irish satirist Jonathan Swift used many feminine rhymes in his poetry. Edgar Allan Poe's poem "The Raven" employs multiple feminine rhymes as internal rhymes throughout. An example is the following: