Search results
Results From The WOW.Com Content Network
"Invictus" is a short poem by the Victorian era British poet William Ernest Henley (1849–1903). Henley wrote it in 1875, and in 1888 he published it in his first volume of poems, Book of Verses, in the section titled "Life and Death (Echoes)".
A cento is a poetic work composed of verses or passages taken from other authors and re-arranged in a new order. This poem reworks verses extracted from the work of Virgil to tell stories from the Old and New Testament of the Christian Bible. Much of the work focuses on the story of Jesus Christ.
The crucifixion of Jesus as depicted by Juan Sánchez Cotán. Perhaps I stabbed our Savior In His sacred helpless side. Yet, I’ve called His name in blessing When in after times I died. In the dimness of the shadows Where we hairy heathens warred, I can taste in thought the lifeblood; We used teeth before the sword. While in later clearer vision
Matthew 27:53 is the fifty-third verse of the twenty-seventh chapter of the Gospel of Matthew in the New Testament. This verse describes some of the events that occurred upon the death of Jesus. The previous verse mentioned that tombs broke open and the saints inside were resurrected. In this verse, the saints descend upon the Holy City.
The framing device is the narrator having a dream. In this dream or vision he is speaking to the Cross on which Jesus was crucified. The poem itself is divided up into three separate sections: the first part (lines 1–27), the second part (lines 28–121) and the third part (lines 122–156). [1]
The Pasyón (Spanish: Pasión) is a Philippine epic narrative of the life of Jesus Christ, focused on his Passion, Death, and Resurrection.In stanzas of five lines of eight syllables each, the standard elements of epic poetry are interwoven with a colourful, dramatic theme.
Christ II, also called The Ascension, is one of Cynewulf's four signed poems that exist in the Old English vernacular. It is a five-section piece that spans lines 440–866 of the Christ triad in the Exeter Book (folios 14a-20b), and is homiletic in its subject matter in contrast to the martyrological nature of Juliana, Elene, and Fates of the Apostles.
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]