Search results
Results From The WOW.Com Content Network
The Experimental Cinema of the Philippines (ECP) was a government-owned corporation of the Republic of the Philippines created to promote the growth and development of the local film industry. Created in 1982 after the first Manila International Film Festival through Executive Order 770, the ECP was primarily known as a production company. [2]
Experimental Cinema of the Philippines (ECP) was established by Executive Order No. 770 signed on January 29, 1982, by President Ferdinand E. Marcos, ECP created to promote the growth and development of the local film industry. ECP created after the first Manila International Film Festival, the ECP was primarily known as a production company.
Nora Aunor's Bona and Himala in 1980 and 1982 respectively (both are official entries of MMFF) achieves to represent the period where the accomplishments of two government institutions contributed to the emergence of New Cinema in the 1970s and 1980s. Her films are cinematically accomplished despite being politically engaged films, and the MMFF ...
Himala ('Miracle') is a 1982 Filipino film directed by Ishmael Bernal and produced by the Experimental Cinema of the Philippines.It stars Nora Aunor as a young woman living in the province who claims to have seen a Marian apparition.
Pages in category "Philippine avant-garde and experimental films" The following 2 pages are in this category, out of 2 total. This list may not reflect recent changes. D.
Oro, Plata, Mata is the first film produced by the Experimental Cinema of the Philippines under Executive Order No. 770 by President Ferdinand E. Marcos. The film was first released on January 27, 1982, and it was approved to be shown by the Board of Censors for Motion Pictures .
This is a list of film studios and film production companies in the Philippines from 1919 up to the ... Experimental Cinema of the Philippines; Exploration Pictures ...
Philippine New Wave (known as Filipino New Wave or Contemporary Philippine Cinema) is a filmmaking term that has been popularly associated with the resurgence of independent, digital and experimental films in the Philippines began in the 21st century, and merged into a recent filmmaking period known as the Third Golden Age of Philippine cinema ...