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  2. Real Girl (song) - Wikipedia

    en.wikipedia.org/wiki/Real_Girl_(song)

    "Real Girl" is a song written by Lenny Kravitz, Niara Scarlett, Matt Ward and Dean Gillard. It includes a sample of Kravitz's " It Ain't Over 'Til It's Over ". [ 2 ] The song was produced by Matt Ward and Dean Gillard for Mutya Buena 's debut album, Real Girl , and was released as the first single from the album on 28 May 2007 in the UK.

  3. Real Girl - Wikipedia

    en.wikipedia.org/wiki/Real_Girl

    Real Girl may refer to: Real Girl, a 2007 album by Mutya Buena "Real Girl" (song) Real Girl, a Japanese manga series written and illustrated by Nanami Mao; Real Girl ...

  4. Girl (Beatles song) - Wikipedia

    en.wikipedia.org/wiki/Girl_(Beatles_song)

    "Girl" is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was written by John Lennon [3] [4] and credited to Lennon–McCartney. "Girl" was the last complete song recorded for that album. [5] [6] "Girl" is considered to be one of the most melancholic and complex of the Beatles' earlier love songs. [7]

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  6. The Girl from Ipanema - Wikipedia

    en.wikipedia.org/wiki/The_Girl_from_Ipanema

    "Garota de Ipanema" (Portuguese pronunciation: [ɡaˈɾotɐ dʒipɐ̃ˈnemɐ]), "The Girl from Ipanema", is a Brazilian bossa nova and jazz song. It was a worldwide hit in the mid-1960s and won a Grammy for Record of the Year in 1965. It was written in 1962, with music by Antônio Carlos Jobim and Portuguese lyrics by Vinícius de Moraes.

  7. Nothing Is Real but the Girl - Wikipedia

    en.wikipedia.org/wiki/Nothing_Is_Real_but_the_Girl

    "Nothing Is Real but the Girl" is a song by American rock band Blondie. Written by the band's keyboardist Jimmy Destri, it was the second single released from their seventh album, No Exit (1999), on May 31, 1999. The single peaked at number 26 in the United Kingdom and number 89 in Germany.

  8. Cornelia Street - Wikipedia

    en.wikipedia.org/wiki/Cornelia_Street

    Writing for The Music, Keira Leonard complimented the personal lyrics and Swift's vocals on delicate piano tunes, which offered "every ounce of emotion". [10] Ben Rayner of The Toronto Star felt that the song exemplified Swift's "real-girl relatability" that shaped her public image and artistry.

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