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Images of Jesus tend to show ethnic characteristics similar to those of the culture in which the image has been created. Beliefs that certain images are historically authentic, or have acquired an authoritative status from Church tradition, remain powerful among some of the faithful, in Eastern Orthodoxy, Lutheranism, Anglicanism, and Roman ...
Christ has both arms drawn a subtle curve, instead of forming a triangle. The loincloth is painted rather small, thus showing the nude body as much as possible. [1] The head shows a narrow halo, as if it came from the figure itself; the face is resting on the chest, showing just enough of his features. [1]
Statue of Jesus Christ at Buntu Burake Hill, South Sulawesi, Indonesia [4] Jesus Blessed Sibea-bea or more often referred to as the Statue of Jesus in Sibea-bea, Samosir, North Sumatra, Indonesia, a statue monument with a height of 61 meters. [5] Statue of Sacred Heart of Jesus in Merauke, South Papua, Indonesia
Sacred Heart of Jesus (Batoni) Saint Anthony with the Christ Child (Murillo) Saint Christopher (after van Eyck) Saint Christopher Carrying the Christ Child; Saint Didacus of Alcalá Presenting Juan de Herrera's Son to Christ; Saint Francis Receiving the Stigmata (Giotto) Saint Francis with the Blood of Christ; Saint Joseph with the Christ Child
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus of Nazareth by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]
The Santo Bambino of Aracœli ("Holy Child of Aracœli"), sometimes known as the Bambino Gesù di Aracœli ("Child Jesus of Aracœli") is a 15th-century Roman Catholic devotional replicated wooden image enshrined in the titular Basilica of Santa Maria in Aracoeli, depicting the Child Jesus [1] swaddled in golden fabric, wearing a crown, and adorned with various gemstones and jewels donated by ...
This category is for specific works that include depictions of Jesus in the visual arts. For articles covering ways of depicting scenes or types of depictions of Jesus in general, see the sub-category Category:Iconography of Jesus. For images of Jesus as an infant with his mother, see Category:Madonna and Child in art.
God the Father turning the press and the Lamb of God at the chalice. Prayer book of 1515–1520. The image was first used c. 1108 as a typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a Crucifixion, in a painted ceiling in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg.