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Aphrodite (/ ˌ æ f r ə ˈ d aɪ t iː / ⓘ, AF-rə-DY-tee) [a] is an ancient Greek goddess associated with love, lust, beauty, pleasure, passion, procreation, and as her syncretized Roman goddess counterpart Venus, desire, sex, fertility, prosperity, and victory. Aphrodite's major symbols include seashells, myrtles, roses
Venus Urania (Christian Griepenkerl, 1878) Statue of the so-called 'Aphrodite on a tortoise', 430–420 BCE, Athens [a]Aphrodite Urania (Ancient Greek: Ἀφροδίτη Οὐρανία, romanized: Aphrodítē Ouranía, Latinized as Venus Urania) was an epithet of the Greek goddess Aphrodite, signifying a "heavenly" or "spiritual" aspect descended from the sky-god Ouranos to distinguish her ...
In Greek mythology, Hermaphroditus (/ h ər ˌ m æ f r ə ˈ d aɪ t ə s / ⓘ; Ancient Greek: Ἑρμαφρόδιτος, romanized: Hermaphróditos, [hermapʰróditos]) was a child of Aphrodite and Hermes. According to Ovid, he was born a remarkably beautiful boy whom the naiad Salmacis attempted to rape and prayed to be united with forever.
In Greek and Roman mythology, Peristera (Ancient Greek: Περιστερά, romanized: Peristerá, lit. 'dove') is a nymph who was transformed into a dove, one of Aphrodite's sacred birds and symbols, explaining the bird's connection to the goddess.
In Greek mythology, Himeros (Ancient Greek: Ἱμερος, lit. 'desire') is one of the seven Erotes, a group of winged love deities, and part of Aphrodite's procession. Often described as "sweet", he is the god and personification of desire and lust.
In Greek mythology, Peitho (Ancient Greek: Πειθώ, romanized: Peithō, lit. 'Persuasion' or 'winning eloquence' [1]) is the personification of persuasion. [2] She is typically presented as an important companion of Aphrodite.
Pages and categories relating to Aphrodite, the goddess of love and beauty in Greek mythology. Subcategories This category has the following 6 subcategories, out of 6 total.
From the speech of Pausanias “[181b]...Now the Love that belongs to the Popular Aphrodite is in very truth [181b] popular and does his work at haphazard: this is the Love we see in the meaner sort of men; who, in the first place, love women as well as boys; secondly, where they love, they are set on the body more than the soul; and thirdly, they choose the most witless people they can find ...