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Music production using a digital audio workstation (DAW) with multi-monitor set-up. Digital music technology encompasses the use of digital instruments to produce, perform [1] or record music. These instruments vary, including computers, electronic effects units, software, and digital audio equipment.
Muse Group (MuseCY Holdings Ltd. [2]) is a software and education company specialised in making tools and resources for music composition, music production and music education. Established in 1998 as Ultimate Guitar , it became Muse Group in 2021 following several acquisitions such as MuseScore and Audacity .
The Fairlight CMI (short for Computer Musical Instrument) is a digital synthesizer, music sampler, and digital audio workstation introduced in 1979 by Fairlight. [5] [6] [7] It was based on a commercial licence of the Qasar M8 developed by Tony Furse of Creative Strategies in Sydney, Australia.
However, a music production in itself which used such synthesizers usually still involved mixing and editing using analog tape machine equipment. The first computer applications to offer fully digital tapeless recording, mixing and editing were Cubase and Notator for the Atari ST platform around 1989. In the 1990s, these and similar systems ...
Sound and music computing (SMC) is a research field that studies the whole sound and music communication chain from a multidisciplinary point of view. By combining scientific, technological and artistic methodologies it aims at understanding, modeling and generating sound and music through computational approaches.
Splice is a cloud-based music creation platform founded by Matt Aimonetti and Steve Martocci which includes a sample library, audio plug-ins on a subscription basis, and integration with several digital audio workstations (DAWs). The program is available for MacOS, Windows, iOS and Android.
According to Computer Music it "changed the face of desktop music production". [63] ReBirth RB-338 has been described by Sound on Sound as "one of the first software instruments to achieve widespread acceptance and even cult status" [64] and by Future Music as "one of the most important virtual instruments in the history of electronic music". [65]
Music workstations had software that was organized around a set of common control functions, and then a set of options. In many cases, these options were organized as 'pages'. The Fairlight was known for its "Page R" functions [ 7 ] which provided real-time composition in a graphical form which was similar to that later used on drum machines ...