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moral psychology, philosophy of emotions Michael Sean Brady (born 1965) is a British philosopher and Professor of Philosophy at the University of Glasgow in Scotland. He is best known for his works on philosophy of emotions .
Christine Tappolet is a philosopher, academic, and author.She is a Full Professor in the Department of Philosophy at the Université de Montréal, and has authored and edited several books including, Emotions, Values, and Agency, and Philosophy of Emotion: A Contemporary Introduction.
In philosophy, emotions are studied in sub-fields such as ethics, the philosophy of art (for example, sensory–emotional values, and matters of taste and sentimentality), and the philosophy of music (see also music and emotion).
He conducts research in aesthetics, the philosophy of space and time, ethics, perception, psychoanalytic theory, and the philosophy of emotion. Overall, Casey's philosophical work is broadly descriptive and attempts to bear out the nuances of basic phenomena and peri-phenomena of human experience that have been neglected in earlier ...
Sketch for a Theory of the Emotions (French: Esquisse d'une théorie des émotions) is a 1939 book by the philosopher Jean-Paul Sartre. This work contains some of his thoughts about human and emotions. Some of his ideas later appeared in his masterpiece Being and Nothingness.
Philosophy of emotions Ronald Bon de Sousa Pernes ( / d ə ˈ s uː z ə / də SOO -zə ; born 1940) is a Swiss-born Canadian philosopher and academic. He is an emeritus professor at the Department of Philosophy of the University of Toronto , which he joined in 1966.
In the context of the development of scientific thought in the seventeenth century which was abandoning the idea of the cosmos in favor of an open universe guided by inviolable laws of nature (see Alexandre Koyré), human actions no longer depended on understanding the order and mechanism of the universe (as had been the philosophy of the Greeks), but instead on understanding the essential ...
Meyer used this basis to form a theory about music, combining musical expectations in a specific cultural context with emotion and meaning elicited. [1] His work went on to influence theorists both in and outside music, as well as providing a basis for cognitive psychology research into music and our responses to it.