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The Rumberas film (in Spanish, Cine de rumberas) was a film genre that flourished in Mexico's Golden Age of Mexican cinema in the 1940s and 1950s. Its major stars were the so-called rumberas, dancers of Afro-Caribbean musical rhythms. The genre is a film curiosity, one of the most fascinating hybrids of the international cinema.
Notable rumberas include Rita Montaner, Rosa Carmina, María Antonieta Pons and Ninón Sevilla. [ 12 ] In the 1970s, with the emergence of salsa as a popular music and dance genre in the US, rhythmic elements of Cuban rumba (particularly guaguancó ) became prevalent alongside the son . [ 13 ]
In 1945 she began her participation in the Rumberas film Rosalinda, with the famous rumba dancer María Antonieta Pons. In 1946, Barba starred in the successful film Humo en los ojos. In 1947, she participated in the film Gran Casino, Luis Buñuel's first film in Mexico, together with Jorge Negrete and Libertad Lamarque.
The popularity of rumberas films declined by the late 1950s as Mexican cinema diversified, but they remain a significant part of the country's cinematic history. Aventurera a 1950 Mexican drama film directed by Alberto Gout and starring Ninón Sevilla and Andrea Palma. It's considered a masterpiece of the Rumberas film.
Juan Rogelio García García (August 4, 1897 – May 26, 1988), better known as Juan Orol, was a Spanish-born Mexican actor, film producer, director and screenwriter.Orol was a pioneer of the Mexican cinema's first talkies and one of the main promoters of the Rumberas film in the Golden Age of Mexican cinema.
Aventurera has the perfect industrial film ingredients that bind to the Rumberas film genre of the 1940s and 1950s: five intermediate sung (with the voices of Ana Maria Gonzalez and Pedro Vargas), three impossible musical numbers (created by Ninón Sevilla), an emblematic story of innocence and perversion.
She was the first actress in the Rumberas films in the 1940s and 1950s, in the Golden Age of Mexican cinema. The Rumberas film genre offered a societal perspective on Mexico during the 40s-50s. It delved into the lives of women deemed as sinners or prostitutes, challenging the prevailing moral and social norms of their era. [1]
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