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Thornton's recording of "Hound Dog" is credited with "helping to spur the evolution of black R&B into rock music". [9] Brandeis University professor Stephen J. Whitfield, in his 2001 book In Search of American Jewish Culture, regards "Hound Dog" as a marker of "the success of race-mixing in music a year before the desegregation of public schools was mandated" in Brown v.
(You ain’t nothin’ but a) Dog, player, ah, get it Fraud, player, ah, get it I understand, I understand You ain’t the man, you ain’t a man (You ain’t nothin’ but a) Hound dog, hound dog ...
The song's lyrics refer to a man who was an "underwhelming lover" [3] whom Doja Cat feels "never deserved her attention". [4] Produced by Rogét Chahayed and Yeti Beats, it samples Shonka Dukureh's recording of the song "Hound Dog", which was written by Jerry Leiber and Mike Stoller, first recorded by Big Mama Thornton (who Dukureh plays in the film) in 1952 and notably covered by Presley.
The single was released on July 13, 1956, backed with "Hound Dog". [1] Within a few weeks "Hound Dog" had risen to #2 on the Pop charts with sales of over one million. [ 2 ] Soon after it was overtaken by "Don't Be Cruel," which took #1 on all three main charts; Pop, Country , and R'n'B . [ 1 ]
Sidney Simien (April 9, 1938 – February 25, 1998), known professionally as Rockin' Sidney, was an American R&B, zydeco, and soul musician who began recording in the late 1950s and continued performing until his death.
"The Bad Touch" is a song by American alternative rock band Bloodhound Gang. It was released in September 1999 as the second single from their third studio album, Hooray for Boobies, which was released the following year in the United States and United Kingdom.
"You Ain't Goin' Nowhere" is a song written by the American musician Bob Dylan in 1967 in Woodstock, New York, during the self-imposed exile from public appearances that followed his July 29, 1966 motorcycle accident.
"Ain't That Lovin' You, Baby" is an upbeat blues song, written and recorded by Jimmy Reed. [2] The single reached number eight in the US Billboard R&B chart in late March 1956. [ 3 ] Backing Reed (guitar, harmonica, and vocal) are Eddie Taylor (guitar), Vernel Fournier (drums), and an unknown guitarist.