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Tube sound (or valve sound) is the characteristic sound associated with a vacuum tube amplifier (valve amplifier in British English), a vacuum tube-based audio amplifier. [1] At first, the concept of tube sound did not exist, because practically all electronic amplification of audio signals was done with vacuum tubes and other comparable ...
The head is also a working guitar amplifier. It is a one watt amplifier and is considered to be a collector's item. [12] 164-page booklet. 164 pages of rare and unseen photos spanning 1974-2009 plus full-size re-prints of original press releases, tour itineraries, tour books, test pressing labels, advertisements and much more.
Cook Records was a record label founded by Emory Cook (1913–2002), an audio engineer and inventor. From 1952 to 1966, Cook used his Sounds of our Times and Cook Laboratories record labels to demonstrate his philosophy about sound, recording equipment, and manufacturing techniques.
British audio equipment designer Peter Baxandall, who is often considered an objectivist, has written, "I ... confidently maintain that all first-class, competently designed amplifiers, tested under completely fair and carefully controlled conditions, including the avoidance of overloading, sound absolutely indistinguishable on normal programme ...
The vinyl LP became popular during the 1950s, and the availability of affordable components such as turntables, speakers and amplifiers enhanced the sonic realism of music playback in homes. This period was characterized by home audio enthusiasts emphasis on achieving the highest quality sound reproduction possible, and the term "hi-fi" became ...
The perception of analog audio being demonstrably superior was also called into question by music analysts following revelations that audiophile label Mobile Fidelity Sound Lab had been covertly using Direct Stream Digital files to produce vinyl releases marketed as coming from analog master tapes, with lawyer and audiophile Randy Braun stating ...
The Isobarik, like the Sara and Kan that were developed in the 1970s and 80s, was designed to work best near room boundaries. [8] Manufacturer's leaflets advise positioning of the speaker close to a rear wall and approximately 2 to 3 feet (60 to 90 cm) from corners.
The result was the 3M Digital Audio Mastering System, which consisted of a 32-track deck (16-bit, 50 kHz audio) running 1-inch tape and a 4-track, 1/2-inch mastering recorder. 3M's 32-track recorder was priced at $115,000 in 1978 (equivalent to $537,000 in 2023).