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Celtic cross stitch is a style of cross-stitch embroidery which recreates Celtic art patterns typical of early medieval Insular art using contemporary cross-stitch techniques. Celtic cross stitch typically employs rich, deep colors, intricate geometrical patterns, spirals , interlacing patterns, knotwork , alphabets, animal forms and zoomorphic ...
The striking Cross of Conbelin is the most celebrated example. From around 1000 AD, it is a huge disc cross with Celtic interlace and plaitwork patterns, figurative scenes including a hunting scene, and inscriptions telling us who made it and who erected it. There are 17 early Christian stones, plus 11 memorials and other stones from the post ...
The Celtic cross is a form of Christian cross featuring a nimbus or ring that emerged in Ireland, France [citation needed] and Great Britain in the Early Middle Ages [citation needed]. A type of ringed cross , it became widespread through its use in the stone high crosses erected across the islands, especially in regions evangelised by Irish ...
The style is most commonly associated with the Celtic lands, but it was also practiced extensively in England and was exported to Europe by Irish and Northumbrian monastic activities on the continent. J. Romilly Allen has identified "eight elementary knots which form the basis of nearly all the interlaced patterns in Celtic decorative art". [4] [5]
Download as PDF; Printable version; In other projects ... Help. Pages in category "Celtic crosses" The following 15 pages are in this category, out of 15 total ...
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Log cabin quilt square made by Janet Reed in Monroe County, Indiana in 1880. The Log Cabin quilt block is a North American pieced quilt pattern where narrow strips of fabric surround a central square. Usually, the block is bisected diagonally, with one half using lighter colors than the other half. [1]
It is a cross with perpendicular extensions, usually at 90° or close angles, radiating in the same direction. However – at least in modern heraldry texts, such as Friar and Woodcock & Robinson (see § Bibliography ) – the fylfot differs somewhat from the archetypal form of the swastika: always upright and typically with truncated limbs, as ...