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Torch-singing is more of a niche than a genre and can stray from the traditional jazz-influenced style of singing; the American tradition of the torch song typically relies upon the melodic structure of the blues. [2] Examples of a collection are Billie Holiday's 1955 album Music for Torching and Entre eux deux by Melody Gardot and Philippe Powell.
This category is for torch songs. In the songs included here, the singers express their devotion or unrequited love for someone who does not return their love, has moved on to a new partner or whom the singers have taken for granted, hurt or otherwise mistreated.
Helen Morgan (née Riggins; August 2, 1900 – October 9, 1941) was an American singer and actress who worked in films and on the stage.A quintessential torch singer, she made a big splash in the Chicago club scene in the 1920s.
"Stormy Weather" is a 1933 torch song written by Harold Arlen and Ted Koehler. Ethel Waters first sang it at The Cotton Club night club in Harlem in 1933 and recorded it with the Dorsey Brothers' Orchestra under Brunswick Records that year, and in the same year it was sung in London by Elisabeth Welch and recorded by Frances Langford.
"The Man That Got Away" is a torch song written for the 1954 version of A Star Is Born. The song, with music by Harold Arlen and lyrics by Ira Gershwin , is performed in the film by Judy Garland . "The Man That Got Away" was ranked #11 by the American Film Institute on the AFI's 100 Years...100 Songs list.
These (mainly female) singers are known for singing torch songs in a bluesy, jazzy, sultry way to bring out the sensual tones of the voice. Subcategories. This ...
Moanin' Low is a popular torch song. The music was written by Ralph Rainger; the lyrics by Howard Dietz. The song was published in 1929 and was introduced that same year in the musical revue The Little Show by Libby Holman becoming a hit [1] and Holman's signature song. A recording by The Charleston Chasers (vocal by Eva Taylor) was also ...
"Guess I'll Hang My Tears Out to Dry" is a 1944 torch song and jazz standard, with music by Jule Styne and lyrics by Sammy Cahn. [1] It was introduced on stage by film star Jane Withers in the show Glad To See You, which closed in Boston and never opened on Broadway. The duo Styne and Cahn had previously written songs for several of Withers' films.