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Many stories, poems and histories were retold in musical form. The concept of poetry in traditional Malagasy oral literary traditions is inseparable from song, as demonstrated by the Malagasy words for "poem" - tononkira and tononkalo - which are formed by combining tonony (words) with hira/kalo (song). [4]
Rabearivelo is the most internationally famous and influential Malagasy literary figure. [5] [12] Jeune Afrique described him as "Madagascar's greatest poet", [3] a sentiment echoed by Léopold Sédar Senghor, first president of Senegal and founder of the Négritude movement, who called him the "prince of the Malagasy poets". [2]
This is a list of Malagasy writers This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
Hainteny (pronounced [hajnˈtenʲ], Malagasy for "knowledge of words") is a traditional form of Malagasy oral literature and poetry, involving heavy use of metaphor.It is associated primarily with the Merina people of Madagascar. [1]
He is principally renowned for his poetry and plays, but was also a painter, wrote and performed musical compositions, and translated several major French and English language works into Malagasy. His works have formed part of the language arts curriculum in Madagascar at every grade level since the country regained independence in 1960.
The Ibonia is an epic poem that has been told in various forms across the island of Madagascar for at least several hundred years. The Ibonia predates the introduction of the printing press in Madagascar in the early part of the 19th century and as such has long been part of the poetic and storytelling oral traditions of the island.
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It includes poets, novelists, children's writers, essayists, and scholars, listed by country. This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .