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"Copycat" is a song recorded by South Korean duo Apink Chobom. It was released on July 12, 2022, by IST Entertainment and Kakao Entertainment as their debut single on a single album of the same name. Written by Jo Yoon-kyung and composed by Kella Armitage, GG Ramirez, and Jurek, "Copycat" has been described as a nu-disco style K-pop song.
Written and produced by Tabudlo, the Tagalog lyrics symbolize love as a dance, and tells of feelings and first times, showing the whole cycle of romance, including heartbreak. The song was a commercial success, as it made it into the top of local Spotify Philippines charts. It broke the record for the longest-running number 1 local track by a ...
In 1970, the song was first made into a lullaby which was originally recorded by Antonio Regalario and performed by Restituta Tutañez. [5] In 2023, the Cultural Center of the Philippines' Himig Himbing: Mga Heleng Atin included the song together with other Filipino songs and hele to promote indigenous lullabies.
The lyrics were written in Filipino that tackles about a romantic love but given a modern twist. In the song, the word "Kundiman" was described in two different meanings—"Kundiman", as a genre of traditional Filipino love songs and "Kundiman", as a contraction of the Tagalog phrase "kung hindi man" (transl. if it is not so). [4]
Music video parodies of popular Filipino artists and bands. The song lyrics are usually composed by Michael V. Some notable spoofs are: Mamaw (lit. ' Monster ') by Kayo Kasi Eh! (Narda by Kamikazee) from Darna. Features Diego Llorico and it talks about an ugly man making advances to others. Ulam (lit. ' Meal ') by Douche (Ulan (lit. ' Rain ...
Manila sound is styled as catchy and melodic, with smooth, lightly orchestrated, accessible folk/soft rock, sometimes fused with funk, light jazz and disco.However, broadly speaking, it includes quite a number of genres (e.g. pop, vocal music, soft rock, folk pop, disco, soul, Latin jazz, funk etc.), and should therefore be best regarded as a period in Philippine popular music rather than as a ...
Filipino dance styles like the kumintang, type of song and dance, and dances like the Pampangois, a dance distinguished for its lion-like actions and hand clapping, were pushed aside when Spanish colonist had come. However, they were later remade with influences from new Spanish dances such as the fandango, lanceros, curacha, and rigodon. [40]
In the late 1950s, native performers adapted Tagalog lyrics for North American rock & roll music, resulting in the seminal origins of Philippine rock. The most notable achievement in Philippine rock of the 1960s was the hit song "Killer Joe", which propelled the group Rocky Fellers, reaching number 16 on the American radio charts.