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Iran's western-influenced pop music emerged by the 1950s. [4] Prior to the 1950s, Iran's music industry was dominated by traditional singers. [4] Viguen, known as the "Sultan" of Iranian pop and jazz music, was a pioneer of this revolution.
The band have been making their own songs since 1972, with the most successful being "Cheshmaye To" in 1975. "Cheshmaye To" was listed in the number 90 list of my network and you as "Top 100 Persian Songs". [62] [63] [64] Son Soul Brothers was the first Iranian band to perform a disco song. [64] The group was dissolved in 1977.
Iranian folk songs are categorized in various themes, including those of historical, social, religious, and nostalgic contexts. There are also folk songs that apply to particular occasions, such as weddings and harvests, as well as lullabies, children's songs, and riddles. [28] There are several traditional specialists of folk music in Iran.
Kiosk is a pioneering Iranian rock band (The Berlin Daily Newspaper) [2] founded by Arash Sobhani in Tehran in 2003. After censorship and restriction by Iranian authorities, its musicians immigrated to the U.S. and Canada. [3] The band has since toured throughout the world [4] [5] and released seven albums.
Mara Beboos (Persian: مرا ببوس which means kiss me) is a musical composition with poetry by "Heydar Raqabi" and music by "Majid Vafadar".Initially performed by a Qashqai singer named "Batool Rezaei" with the stage name "Parvaneh" using the artistic name, but it gained fame and longevity through the rendition by "Hassan Golnaraghi," a renowned and enduring performer.
A popular video circulating online shows Iranian high school students standing without hijab, their backsfacing the camera as they hold hands in front of a whiteboard and sing the song.
Many Iranian hip hop artists focus on the Persian identity, as opposed to Arab identity, in their music. The Persian identity and histories that they pride is often that of the ancient Persian Empire, and not the current state. [7] [19] Some artists incorporate local elements such as Iranian classical music and literature. [31]
The modal concepts in Iranian folk music are linked to those of the country's classical music. Many of Iran's folk songs have the potential of being adapted into major or minor tonalities, [7] and Iranian singers of both classical and folk music may improvise the lyric and the melody within the appropriate musical mode. [8]