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Florentine crafts made in Florence, Italy, are a centuries-old tradition maintained by several artisan guilds. Florentine style, especially in items produced in from the mid-19th century onward, typically reflect a contemporary interpretation of Renaissance art and furnishings.
All the Florentine guilds, major and minor, were abolished in 1770, by the decree of Emperor Joseph II (as Grand Duke of Tuscany), assigning their functions to the single Florentine chamber of commerce, art and manufacture (Camera di Commercio, Arti e Manifatture), with the exception of the Arte dei Giudici e Notai (Judges & Notaries), which ...
Antonio del Pollaiuolo, Portrait of a Young Woman (1470–1472), Museo Poldi Pezzoli, Milan. Facade of Santa Maria Novella (1456) Michelangelo, Doni Tondo (1503–1504). The Florentine Renaissance in art is the new approach to art and culture in Florence during the period from approximately the beginning of the 15th century to the end of the 16th.
Shell-shaped snuffbox, by Gricci, Caselli and a goldsmith, 1745–1750 [22]. The true Capodimonte wares of the short period between 1743 and 1759 included tableware of the usual types, figures, and the Porcelain boudoir of Maria Amalia of Saxony entirely made of porcelain panels in a chinoiserie style, originally made for the Palace of Portici (1757–59), but now moved to the Capodimonte ...
The figure has been interpreted in a variety of ways. One has been to suggest that Donatello was homosexual and that he was expressing that sexual attitude through this statue. [13] [14] A second is to suggest that the work refers to homosocial values in Florentine society without expressing Donatello's personal tendencies.
The Deposition (also called the Bandini Pietà or The Lamentation over the Dead Christ) is a marble sculpture by the Italian High Renaissance master Michelangelo.The sculpture, on which Michelangelo worked between 1547 and 1555, depicts four figures: the dead body of Jesus Christ, newly taken down from the Cross, Nicodemus [1] (or possibly Joseph of Arimathea), Mary Magdalene and the Virgin Mary.
Pietro Tacca's bronze Porcellino (Museo Bardini). Il Porcellino (Italian "piglet") is the local Florentine nickname for the bronze fountain of a boar.The fountain figure was sculpted and cast by Baroque master Pietro Tacca (1577–1640) shortly before 1634, [1] following a marble Italian copy of a Hellenistic marble original, at the time in the Grand Ducal collections and today on display in ...
Venus standing in her arch.. The painting features six female figures and two male, along with a cupid, in an orange grove. The movement of the composition is from right to left, so following that direction the standard identification of the figures is as follows: At the far right, "Zephyrus, the biting wind of March, kidnaps and possesses the nymph Chloris, whom he later marries and ...