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The Apollo Belvedere (also called the Belvedere Apollo, Apollo of the Belvedere, or Pythian Apollo) [1] is a celebrated marble sculpture from classical antiquity.. The work has been dated to mid-way through the 2nd century A.D. and is considered to be a Roman copy of an original bronze statue created between 330 and 320 B.C. by the Greek sculptor Leochares. [2]
The Belvedere Torso is a 1.59-metre-tall (5.2 ft) fragmentary marble statue of a male nude, known to be in Rome from the 1430s, and signed prominently on the front of the base by "Apollonios, son of Nestor, Athenian", who is unmentioned in ancient literature. It is now in the Museo Pio-Clementino (Inv. 1192) of the Vatican Museums. [1]
A short time later, the statue of Apollo became part of the collection, henceforth to be known as the Apollo Belvedere, as did the heroic male torso known as the Belvedere Torso. Giovanni Antonio Dosio's drawing, about Bramante's building. Julius commissioned Bramante to link the Vatican Palace with the Villa Belvedere. Bramante's design is ...
The Hermes, long known as the Belvedere Antinous, in the Vatican's Museo Pio-Clementino. The Hermes of the Museo Pio-Clementino is an ancient Roman sculpture, part of the Vatican collections, Rome. It was long admired as the Belvedere Antinous, named from its prominent placement in the Cortile del Belvedere.
A belvedere / ˈ b ɛ l v ɪ d ɪər / or belvidere (from Italian for "beautiful view") is an architectural structure sited to take advantage of a fine or scenic view. [1] The term has been used both for rooms in the upper part of a building or structures on the roof, or a separate pavilion in a garden or park.
The Vatican Museums trace their origin to a single marble sculpture, purchased in the 16th century: Laocoön and His Sons was discovered on 14 January 1506, in a vineyard near the basilica of Santa Maria Maggiore in Rome. Pope Julius II sent Giuliano da Sangallo and Michelangelo, who were working at the Vatican, to examine the discovery. [11]
Scaffolding in a niche of the Vatican Museums’ Round Hall conceal from view the work of restorers who are removing centuries of grime from the largest known bronze statue of the ancient world ...
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