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The Vestal Virgin Tuccia (Italian: La Vestale Tuccia) or Veiled Woman (Italian: La Velata) is a marble sculpture created in 1743 by Antonio Corradini, a Venetian Rococo sculptor known for his illusory depictions of female allegorical figures covered with veils that reveal the fine details of the forms beneath.
Early in his career, his works depicted heavily draped figures in a classical manner and then progressed to a thin, translucent layer of marble acting as a veil as he perfected his craft. [ citation needed ] An example of the latter and the work on which Corradini based Modesty is his Vestal Virgin Tuccia , sculpted in Rome in 1743.
The fringed veil drapes over her face, head and shoulder, and dangled unevenly above her feet. Her translucent attire further highlights the contour of her body. The illusion of a diaphanous veil and clinging dress created by the craftsmanship of Benzoni are the most noteworthy and skillful aspects of the sculpture.
Plus, key pieces that fit into this 'empowering and timeless' style.
In Spain, women still wear mantillas during Holy Week (the week leading to Easter), bullfights and weddings. Also a black mantilla is traditionally worn when a woman has an audience with the Pope and a white mantilla is appropriate for a church wedding, but can be worn at other ceremony occasions as well.
Cavendish gave Monti a £60 deposit (equivalent to £7339 today) for the work on 19 October. [ 1 ] [ 3 ] Cavendish requested a depiction, in marble, of a veiled woman. Such sculptures, imitating translucent fabrics, were popular at the time and Cavendish's close friend, the sculptor Antonio Canova , was a particular admirer of Giuseppe ...