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The painting was one of 18 works by Monet exhibited at the second Impressionist exhibition in April 1876, at the gallery of Paul Durand-Ruel.Ten years later, Monet returned to a similar subject, painting a pair of scenes featuring his second wife's daughter Suzanne Monet in 1886 with a parasol in a meadow at Giverny; they are in the Musée d'Orsay.
List of paintings by Claude Monet; National Gallery of Art; Normandy; Oil painting; Umbrella; Woman with a Parasol – Madame Monet and Her Son; User:Ashleyynm/sandbox; User:DMT Biscuit; User:Hafspajen/ Preliminary Signpost to work on, in the main while; User:Jane023/Paintings in the National Gallery of Art; User talk:Anna Frodesiak/archive27 ...
Exhibition history: 2nd impressionist exhibition, 30 March 1876 - 30 April 1876 ; Credit line: Collection of Mr. and Mrs. Paul Mellon: References: Monet: Catalogue Raisonné, 381
Claude Monet, The Woman with a Parasol, 1886. Suzanne Hoschedé posed for this and many other paintings by Monet. Suzanne Hoschedé (April 29, 1868–February 6, 1899) was one of the daughters of Alice Hoschedé and Ernest Hoschedé, the stepdaughter and favorite model of French impressionist painter Claude Monet, and wife of American impressionist painter Theodore Earl Butler. [1]
Three Women with Parasols (French: Trois femmes aux ombrelles), also known as The Three Graces, is an 1880 oil-on-canvas painting by French artist Marie Bracquemond. The painting depicts three women wearing the then fashionable style of ruffled dresses with high bodices. [1] The woman in the middle holds a fan in the popular style of Japonisme ...
In 1875, Monet returned to figure painting with Woman with a Parasol - Madame Monet and Her Son, after effectively abandoning it with The Luncheon. His interest in the figure continued for the next four years—reaching its crest in 1877 and concluding altogether in 1890.
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A later painting, Woman with Parasol Seated in the Garden (1872), features Lise seated, modeling a similar dress with a red sash, hat, and parasol. [ 66 ] Lise with a Parasol was the first of Renoir's paintings to feature a human figure with light filtering through plant leaves from above.