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The Last Judgment (tempera on panel) is a painting by the Renaissance artist Fra Angelico. It was commissioned by the Camaldolese Order for the newly elected abbot, the humanist scholar Ambrogio Traversari. [1] It is variously dated to c1425, [2] 1425–1430 [3] and 1431. [1]
The Last Judgment is a triptych by the Early Netherlandish artist Hieronymus Bosch, created after 1482. The triptych is now in the Academy of Fine Arts in Vienna, Austria. The outside of the shutters panel are painted in grisaille on panel, while the inside shutters and the center panel are painted in oil. The left and right panels measure 167. ...
Last Judgement (Lochner) Last Judgement (Venusti) The Last Judgement Triptych (Klontzas) The Last Judgement (Vasari and Zuccari) The Last Judgment (Bosch, Bruges) The Last Judgment (Bosch, Vienna) The Last Judgment (Fra Angelico, Florence) The Last Judgment (Bosch, Munich) The Last Judgment (Moskos) The Last Judgment (Kavertzas) The Last ...
The Annunciation of Cortona was painted by Fra Angelico in 1433–1434, in tempera on panel, 175 cm x 180 cm. [1]. This is one of three Annunciations by Fra Angelico on panel (the other two are in the Prado Museum, and the Museo della Basilica di Santa Maria delle Grazie, in San Giovanni Valdarno.
Doom or "the Doom" was a specific term for the Last Judgement and first cited to c. 1200 by the OED ("doom", 6), a sense surviving in this artistic meaning and in phrases such as the "crack of doom" and the word "doomsday", the latter going back to Old English. The original OED in the late 19th century already described this sense of "doom" as ...
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The Italian Gothic paintings are the oldest of the gallery, among them Giotto's famous The Last Supper, then all Schools of Italian Renaissance and Baroque Painting are represented with works of Fra Angelico (Entombment of Christ), Domenico Ghirlandaio (Virgin and Child with SS.
The Bosco ai Frati altarpiece executed by Fra Angelico in tempera on wood (174x174 cm) and dating to 1450–1452, is nowadays conserved in the Museo nazionale di San Marco in Florence. In 1542 an earthquake occasioned serious damage to convent, especially the bell tower. The convent once more fell on hard times and was suppressed by Napoleon.