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Theatre in the Victorian era is regarded as history of theatre in the United Kingdom during the reign of Queen Victoria from 1837 to 1901. It was a time during which literature and theatre flourished. During this era, many new theatres and theatre schools were built, and political reforms came into practice which led to the openness of theatre ...
Nineteenth-century theatre describes a wide range of movements in the theatrical culture of Europe and the United States in the 19th century. In the West, they include Romanticism, melodrama, the well-made plays of Scribe and Sardou, the farces of Feydeau, the problem plays of Naturalism and Realism, Wagner 's operatic Gesamtkunstwerk, Gilbert ...
It was only later, in the nineteenth century, that the term lost its association with music and began to be used for plays with sentimental and sensational plots typical of popular Victorian drama. [10] The earliest known examples of melodrama are scenes in J. E. Eberlin's Latin school play Sigismundus (1753). [9]
The period known as the English Renaissance, approximately 1500–1660, saw a flowering of the drama and all the arts. The two candidates for the earliest comedy in English Nicholas Udall 's Ralph Roister Doister (c. 1552) and the anonymous Gammer Gurton's Needle (c. 1566), belong to the 16th century. During the reign of Elizabeth I (1558 ...
Savoy opera was a style of comic opera that developed in Victorian England in the late 19th century, with W. S. Gilbert and Arthur Sullivan as the original and most successful practitioners. The name is derived from the Savoy Theatre, which impresario Richard D'Oyly Carte built to house the Gilbert and Sullivan pieces, and later those by other ...
The Old Vic is a 1,000-seat, nonprofit producing theatre in Waterloo, London, England. It was established in 1818 as the Royal Coburg Theatre, and renamed in 1833 the Royal Victoria Theatre. In 1871 it was rebuilt and reopened as the Royal Victoria Palace. It was taken over by Emma Cons in 1880 and formally named the Royal Victoria Hall ...
The well-made play (French: la pièce bien faite, pronounced [pjɛs bjɛ̃ fɛt]) is a dramatic genre from nineteenth-century theatre, developed by the French dramatist Eugène Scribe. It is characterised by concise plotting, compelling narrative and a largely standardised structure, with little emphasis on characterisation and intellectual ideas.
The Father (Strindberg play) Fingersmith (play) The First Gentleman (play) The Fruits of Enlightenment.