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Ichcahuipilli armor was a lightweight, multifunctional garment worn on the torso of the warrior, designed to provide blunt-force trauma protection against clubs and batons, slash protection from obsidian macuahuitl, and projectile protection from arrows and atlatl darts. [3]
The nine regions of Mictlán (also known as Chiconauhmictlán) in Aztec mythology take shape within the Nahua worldview of space and time as parts of a universe composed of living forces. According to Mexica mythology, in the beginning, there were two primordial gods, Omecíhuatl and Ometecuhtli, whose children became the creator gods.
Varieties of clothing worn by Aztec men, before the Spanish conquest. Basic dress of an Aztec woman before the Spanish conquest. Over time the original, predominantly kin-ship-based style of textile production gave way to more workshop and class-based production. [7] Producing the fibers to make clothing was a highly gendered operation. [3]
Ītzpāpalōtl [a] ("Obsidian Butterfly") was a goddess in Aztec religion. She was a striking skeletal warrior and death goddess and the queen of the Tzitzimimeh . She ruled over the paradise world of Tamōhuānchān , the paradise of victims of infant mortality and the place identified as where humans were created.
The Aztec names of the Deities are known because their names are glossed in the Codex Telleriano-Remensis and Codex Tudela. Seler argued that the 9 lords each corresponded to one of the nine levels of the underworld and ruled the corresponding hour of the nighttime; this argument has not generally been accepted, since the evidence suggests that ...
Patolli and its variants were played by a wide range of pre-Columbian Mesoamerican cultures and were known all over Mesoamerica: it was played by the Teotihuacanos (the builders of Teotihuacan, ca. 200 BC - 650 AD), the Toltecs (ca. 750 - 1000), the inhabitants of Chichen Itza (founded by refugee Toltec nobles, ca. 1100 - 1300), the Aztecs (who claimed Toltec descent, 1168 - 1521) and all of ...