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A diatonic harmonica is designed to ease playing in one diatonic scale. Here is a standard diatonic harmonica's layout in the key of C (1 blow is middle C): This layout easily allows the playing of notes most important in C major, that of the C major triad: C, E, and G. The tonic chord is played by blowing and the dominant chord is played by ...
The standard diatonic harmonica is designed to allow a player to play chords and melody in a single key. Because they are only designed to be played in a single key at a time, diatonic harmonicas are available in all keys. Harps labeled G through B start (on hole 1 blow) below middle C, while Harps labeled D ♭ through F ♯ start above middle ...
Richter tuning is a system of choosing the reeds for a diatonic wind instrument (such as a harmonica or accordion).It is named after Joseph Richter, a Bohemian instrument maker who adopted the tuning for his harmonicas in the early 19th century and is credited with inventing the blow/draw mechanism that allows the harmonica to play different notes when the air is drawn instead of blown.
Initial diatonic harmonica tunings were major key only. In 1931, Hiderō Satō (佐藤秀廊) announced the development of a minor key harmonica. There are two types of minor key tunings, "natural minor" suitable for folk and contemporary music, and Latin American music, and the "harmonic minor" suitable for some famous Japanese pieces.
A Steirische Harmonika. The Steirische Harmonika (Austrian German pronunciation: [ˈʃtaɪrɪʃɛ harˈmoːnika]) is a type of bisonoric diatonic button accordion important to the alpine folk music of Croatia (Hrvatsko zagorje), Slovenia, the Czech Republic, Austria, the German state of Bavaria, and the Italian South Tyrol.
It had five or seven buttons on the right keyboard, and like in the most Western diatonic accordions it produced different sounds on pull and push. So Tula garmon had two full diatonic octaves (from C4 to C6). The left bass keyboard had two buttons. Tula garmon was a base for all the Russian diatonic bisonoric garmoshkas (Saratov, Kasimov etc.)
The older layout is very similar to that used in the standard diatonic harmonica and also found in diatonic accordions and concertinas. This tuning has the major diatonic scale in the middle and top octaves of the harmonica with two chords in the lowest octave: the tonic in the blow and the dominant or fifth chord in the draw. This is very ...
Solo tuning is a system of choosing the reeds for a diatonic wind instrument (such as a harmonica or accordion) to fit a pattern where blow notes repeat a sequence of C E G C (perhaps shifted to begin with E or with G) and draw notes follow a repeating sequence of D F A B (perhaps correspondingly shifted).