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Philippine folk literature refers to the traditional oral literature of the Filipino people.Thus, the scope of the field covers the ancient folk literature of the Philippines' various ethnic groups, as well as various pieces of folklore that have evolved since the Philippines became a single ethno-political unit.
Philippine mythology is rooted in the many indigenous Philippine folk religions. Philippine mythology exhibits influence from Hindu, Muslim, Buddhist, and Christian traditions. Philippine mythology includes concepts akin to those in other belief systems, such as the notions of heaven (kaluwalhatian, kalangitan, kamurawayan), hell (kasamaan ...
A host of mythological creatures occur in the mythologies from the Philippines. Philippine mythological creatures are the mythological beasts, monsters, and enchanted beings of more than 140 ethnic groups in the Philippines. Each ethnic people has their own unique set of belief systems, which includes the belief in various mythological creatures.
There are over a hundred distinct pantheons in the Philippines. [17] Philippine mythology and folk religion, while interconnected, are fundamentally different. Mythology is a collection of stories that explain the origins of the world, natural phenomena, and the actions of gods, spirits, and heroes. It serves as a cultural narrative, often tied ...
Philippine epic poetry is the body of epic poetry in Philippine literature. Filipino epic poetry is considered to be the highest point of development for Philippine folk literature , encompassing narratives that recount the adventures of tribal heroes.
The Tikbalang (/ˈtikbaˌlaŋ/) (also Tigbalang, Tigbalan, Tikbalan, Tigbolan, or Werehorse) is a creature of Philippine folklore said to lurk in the mountains and rainforests of the Philippines. It is a tall, bony humanoid (half-human and half-horse) creature with the head and hooves of a horse and disproportionately long limbs, to the point ...
Biag ni Lam-ang (lit. ' The Life of Lam-ang ') is an epic story of the Ilocano people from the Ilocos region of the Philippines.It is notable for being the first Philippine folk epic to be recorded in written form, and was one of only two folk epics documented during the Philippines' Spanish Colonial period, along with the Bicolano epic of Handiong.
Maria is the title given to a Filipino (Tagalog language) version of Cinderella collected by Fletcher Gardner and published in The Journal of American Folklore, in 1906. The story is related both to the international Cinderella narrative, as well as to the motif of the calumniated wife. [1]