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Poetic Diction is a style of writing in poetry which encompasses vocabulary, phrasing, and grammatical usage. Along with syntax, poetic diction functions in the setting the tone, mood, and atmosphere of a poem to convey the poet's intention. Poetic devices shape a poem and its meanings.
The poem is a fable and like most fables it has a moral.Various themes are intertwined. The poem can be seen as exposing the role of critics towards any fresh talent; it can be read as exploitation of a simple, genuine talent by a personal gain or as a poem about a jealous person who does not let real talent flourish by discouraging and finally eliminating it.
Generally, the essay introduces three of Poe's theories regarding literature. The author recounts this idealized process by which he says he wrote his most famous poem, "The Raven", to illustrate the theory, which is in deliberate contrast to the "spontaneous creation" explanation put forth, for example, by Coleridge as an explanation for his poem Kubla Khan.
The poem does not have a deep, hidden, symbolic meaning. Rather, it is simply pleasurable to read, say, and hear. Critical terminology becomes useful when one attempts to account for why the language is pleasurable, and how Byron achieved this effect. The lines are not simply rhythmic: the rhythm is regular within a line, and is the same for ...
The ghazal was introduced to European poetry in the early 19th century by the Germans Schlegel, Von Hammer-Purgstall, and Goethe, who called Hafiz his "twin". [9] Lyric in European literature of the medieval or Renaissance period means a poem written so that it could be set to music—whether or not it actually was.
The poems in Lyrical Ballads were mostly by Wordsworth, though Coleridge contributed one of the great poems of English literature, [21] the long Rime of the Ancient Mariner, a tragic ballad about the survival of one sailor through a series of supernatural events on his voyage through the South Seas, and involves the symbolically significant ...
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The poem's structure is multi-layered text based on Coleridge's interest in higher criticism. "Like the Iliad or Paradise Lost or any great historical product, the Rime is a work of trans-historical rather than so-called universal significance. This verbal distinction is important because it calls attention to a real one.