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One author has described this "stylistic mannerism" to be inherited from "an earlier, possibly common-Germanic, poetic tradition"; [3] he notes that understatement is also found in mediaeval German poetry and Old Norse poetry. Such understatement may have the effect of mocking irony, humour, emphasis, and the tempering of an (otherwise rather ...
Understatement often leads to litotes, rhetorical constructs in which understatement is used to emphasize a point. It is a staple of humour in English-speaking cultures. For example, in Monty Python's The Meaning of Life, an Army officer has just lost his leg. When asked how he feels, he looks down at his bloody stump and responds, "Stings a bit."
In rhetoric, litotes (/ l aɪ ˈ t oʊ t iː z, ˈ l aɪ t ə t iː z /, US: / ˈ l ɪ t ə t iː z /), [1] also known classically as antenantiosis or moderatour, is a figure of speech and form of irony in which understatement is used to emphasize a point by stating a negative to further affirm a positive, often incorporating double negatives for effect.
To be a 'school' a group of poets must share a common style or a common ethos. A commonality of form is not in itself sufficient to define a school; for example, Edward Lear, George du Maurier and Ogden Nash do not form a school simply because they all wrote limericks. There are many different 'schools' of poetry.
InsideOut was founded by former school teacher and poet Dr. Terry Blackhawk in 1995. Before founding InsideOut, Blackhawk, a creative writing teacher at Mumford High School in Detroit, had already been inviting poets to her classroom to introduce students to poetry.
A postmodern literary movement srarted ca. 1970, where writers use their speaking voice to present fiction, poetry, monologues, and storytelling arising from Beat poetry, the Harlem Renaissance, and the civil rights movement in the urban centers of the United States. [133]
Lyric Essay is a literary hybrid that combines elements of poetry, essay, and memoir. [1] The lyric essay is a relatively new form of creative nonfiction. John D’Agata and Deborah Tall published a definition of the lyric essay in the Seneca Review in 1997: "The lyric essay takes from the prose poem in its density and shapeliness, its distillation of ideas and musicality of language."
The repetition of identical or similar sounds, usually accented vowel sounds and succeeding consonant sounds at the end of words, and often at the ends of lines of prose or poetry. [7] For example, in the following lines from a poem by A. E. Housman, the last words of both lines rhyme with each other. Loveliest of trees, the cherry now