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Painting on site, Monet had to deal with the incoming and outgoing trains and crowds of passengers. When he sketched and started painting, his view must have been blocked by steam and smoke. In 1889, critic Hugues Le Roux recalled Monet's working process in the Gare Saint-Lazare: Claude Monet, La Gare Saint-Lazare, le train de Normandie, 1877 ...
Arrival of the Normandy Train, Gare Saint-Lazare by Claude Monet, c. 1877 Gare Saint Lazare, Claude Monet, 1877 Renovated passenger hall The station from Place de l'Europe Trains coming and going, looking north from Place de l'Europe. In 1877, painter Claude Monet rented a studio near the Gare Saint Lazare. That same year he exhibited seven ...
Arrival of the Normandy Train, Gare Saint-Lazare, also known as The Railway Station of Saint Lazare in Paris, is a c. 1877 oil-on-canvas painting by Claude Monet. It is in the permanent collection of the Art Institute of Chicago. [1]
English: After his return to France from London, Monet lived from 1871-78 at Argenteuil, on the Seine near Paris. In January 1877 he rented a small flat and a studio near the Gare St-Lazare, and in the third Impressionist exhibition which opened in April of that year, he exhibited seven canvases of the railway station.
Arrivée du train de Normandie, gare Saint-Lazare; Usage on fr.wikiversity.org Recherche:Pastech/243-3 Train à vapeur; Usage on he.wikipedia.org תחבורה בפריז; Usage on hr.wikipedia.org Kolodvor Saint-Lazare (Monet) Usage on hu.wikipedia.org A normandiai vonat érkezése, Gare Saint-Lazare; Usage on id.wikipedia.org Kereta api
File:Claude Monet - The Gare Saint-Lazare; Arrival of a Train - 1877.jpg. Add languages. ... English: The Gare Saint-Lazare: Arrival of a Train. Date: 1877: Source:
La_gare_Saint-Lazare,_Les_signaux_1877_Claude_Monet.jpg (663 × 540 pixels, file size: 83 KB, MIME type: image/jpeg) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
Caillebotte displayed this image at the impressionist exhibition of 1877, alongside his Rue de Paris, temps de pluie and Claude Monet's Le Pont de l'Europe, Gare Saint-Lazare , which gives an alternate view of the bridge. [7] Caillebotte, as in many of his works, employs perspective.