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  2. Line level - Wikipedia

    en.wikipedia.org/wiki/Line_level

    Peak-to-peak (sometimes abbreviated as p-p) amplitude (V PP) refers to the total voltage swing of a signal, which is double the peak amplitude of the signal. For instance, a signal with a peak amplitude of ±0.5 V has a p-p amplitude of 1.0 V.

  3. Electrical characteristics of dynamic loudspeakers - Wikipedia

    en.wikipedia.org/wiki/Electrical_characteristics...

    At this frequency, the voice coil is vibrating in the speaker's magnetic field with maximum peak-to-peak amplitude and velocity. The back EMF generated by this movement is also at its maximum. The electrical impedance of the speaker varies with the back EMF and thus with the applied frequency.

  4. Audio power - Wikipedia

    en.wikipedia.org/wiki/Audio_power

    Audio power is the electrical power transferred from an audio amplifier to a loudspeaker, measured in watts.The electrical power delivered to the loudspeaker, together with its efficiency, determines the sound power generated (with the rest of the electrical power being converted to heat).

  5. Crest factor - Wikipedia

    en.wikipedia.org/wiki/Crest_factor

    The peak-to-average power ratio (PAPR) is the peak amplitude squared (giving the peak power) divided by the RMS value squared (giving the average power). [1] It is the square of the crest factor. When expressed in decibels , crest factor and PAPR are equivalent, due to the way decibels are calculated for power ratios vs amplitude ratios .

  6. Audio system measurements - Wikipedia

    en.wikipedia.org/wiki/Audio_system_measurements

    The commonly given measurement of PMPO (peak music power out) is largely meaningless and often used in marketing literature; in the late 1960s there was much controversy over this point and the US Government (FTA) required that RMS figures be quoted for all high fidelity equipment. Music power has been making a comeback in recent years.

  7. Audio normalization - Wikipedia

    en.wikipedia.org/wiki/Audio_normalization

    Peak normalization adjusts the recording based on the highest signal level present in the recording. Loudness normalization adjusts the recording based on perceived loudness . Normalization differs from dynamic range compression , which applies varying levels of gain over a recording to fit the level within a minimum and maximum range.

  8. Formant - Wikipedia

    en.wikipedia.org/wiki/Formant

    [1] [2] In acoustics, a formant is usually defined as a broad peak, or local maximum, in the spectrum. [3] [4] For harmonic sounds, with this definition, the formant frequency is sometimes taken as that of the harmonic that is most augmented by a resonance. The difference between these two definitions resides in whether "formants" characterise ...

  9. Peak programme meter - Wikipedia

    en.wikipedia.org/wiki/Peak_programme_meter

    Sample peak programme meter (SPPM). This is a PPM for digital audio. It shows only peak sample values, not true waveform peaks (which may fall between samples and may be higher in amplitude). [1] It may have either a 'true' or a 'quasi' integration characteristic. Over-sampling peak programme meter. This is a sample PPM that first oversamples ...