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The Phrygian mode (pronounced / ˈ f r ɪ dʒ i ə n /) can refer to three different musical modes: the ancient Greek tonos or harmonia, sometimes called Phrygian, formed on a particular set of octave species or scales; the medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter.
While the term "mode" is still most commonly understood to refer to Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, or Locrian modes in the diatonic scale; in modern music theory the word "mode" is also often used differently, to mean scales other than the diatonic.
The Hypophrygian (deuterus plagalis) mode, literally meaning "below Phrygian (plagal second)", is a musical mode or diatonic scale in medieval chant theory, the fourth mode of church music. This mode is the plagal counterpart of the authentic third mode, which was called Phrygian. In the Middle Ages and Renaissance this mode was described in ...
The following is a list of musical scales and modes. ... Phrygian: Unusual Phrygian mode: ... additional terms may apply.
Marsyas, a Phrygian follower of Cybele, was a satyr who is regarded as the inventor of the aulos, which he created using the hollowed antler of a stag. He unwisely competed in music with the Olympian Apollo and inevitably lost, whereupon Apollo flayed Marsyas alive and provocatively hung his skin on Cybele's own sacred tree, a pine.
The earliest traditions of Greek music derived from Phrygia, transmitted through the Greek colonies in Anatolia and included the Phrygian mode, which was considered to be the warlike mode in ancient Greek music. Phrygian Midas, the king of the "golden touch", was tutored in music by Orpheus himself according to the myth.
The mascot of the Paris Olympic Games may not seem all that mighty to those outside the host country, but that little red hat, known as a Phrygian cap (or a liberty cap), is a symbol of the French ...
In describing the tonality of early music, the term "mode" (or "tone") refers to any of eight sets of pitch intervals that may form a musical scale, representing the tonality of a piece and associated with characteristic melodic shapes (psalm tones) in Gregorian chant.