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Collins says, "Going over to the organ, Harrington again studied the words to 'There's a Song in the Air'. This time he read them aloud, forming a tune around each phrase. As his fingers touched the keyboard, a melody came to life." In 1905, in The Methodist Hymnal the words and music become one and were sent to churches around the globe.
The full song comprises five stanzas. Some versions, including the United Methodist Hymnal [4] and Lutheran Book of Worship, [5] omit verse three, while others (including The Hymnal 1982) omit verse four. [8] Several variations also exist to Sears' original lyrics.
The song was included, as "Jesous Ahatonia", on Burl Ives's 1952 album Christmas Day in the Morning and was later released as a Burl Ives single under the title "Indian Christmas Carol". Bruce Cockburn has also recorded a rendition of the song in the original Huron. Tom Jackson performed this song during his annual Huron Carole tour.
The original hymn text was written as a "Hymn for Christmas-Day" by Charles Wesley, included in the 1739 John Wesley collection Hymns and Sacred Poems. [4] The first stanza (verse) describes the announcement of Jesus's birth. Wesley's original hymn began with the opening line "Hark how all the Welkin rings".
"Rise Up, Shepherd, and Follow" is a song telling the story of Christmas morning, describing a "star in the East" that will lead to the birthplace of Christ. The title derives from a lyric repeated throughout the song. Depending on how the song is arranged and performed, it is known variously as a spiritual, hymn, carol, gospel song, or folk song.
A Christmas carol is a carol (a song or hymn) on the theme of Christmas, traditionally sung at Christmas itself or during the surrounding Christmas and holiday season. The term noel has sometimes been used, especially for carols of French origin. [1] Christmas carols may be regarded as a subset of the broader category of Christmas music.
This hymnal "consisted entirely of versions of Latin hymns, designed for use as Office hymns within the Anglican Church despite the fact that Office hymns had no part in the authorized liturgy. The music was drawn chiefly from plainchant", as was the case with the Veni Emmanuel tune for "O Come, O Come Emmanuel", the combination of which has ...
The lyrics of the hymn would be included in pieces of artwork that would adorn Anglican churches around the world. [10] Though by the 1950s to 1970s, the hymn lost popularity as a Christmas carol, it was still held in high regard as a hymn with a pleasing positive message. [11]