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  2. Traditional animation - Wikipedia

    en.wikipedia.org/wiki/Traditional_animation

    Painting with acrylic paint on the reverse side of an already inked animation cel, here placed over the original drawing. Traditional animation (or classical animation, cel animation, or hand-drawn animation) is an animation technique in which each frame is drawn by hand.

  3. Impasto - Wikipedia

    en.wikipedia.org/wiki/Impasto

    Oil paint is the traditional medium for impasto painting, due to its thick consistency and slow drying time. Acrylic paint can also be used for impasto by adding heavy body acrylic gels. Impasto is generally not used in watercolor or tempera without the addition of thickening agent due to the inherent thinness of these media.

  4. Picture framing glass - Wikipedia

    en.wikipedia.org/wiki/Picture_framing_glass

    Acrylic is also light weight, compared to glass, and is shatter-resistant, making acrylic an attractive choice for framing large, oversized works of art. In general, acrylic sheet scratches easily and retains a static charge, which can be problematic when framing pastels or charcoals.

  5. 30 things to do when you’re bored (that are actually good for ...

    www.aol.com/lifestyle/30-things-bored-actually...

    Unleash your inner Picasso. Creating art — no matter how rudimentary — is good for the soul and may even help you live longer. Unsure how to get started? Check out these simple Watercolor 101 ...

  6. Acrylic painting techniques - Wikipedia

    en.wikipedia.org/wiki/Acrylic_painting_techniques

    Fluid paint, in general, is a moveable form of acrylic paint. Fluid paints can be used like watercolors, for acrylic pouring, or for glazing and washes. To create a more fluid consistency, water or a pouring medium is added to the paint. The ratio of paint to water/pouring medium depends on how thick the glaze or pouring paint is expected to be.

  7. Support (art) - Wikipedia

    en.wikipedia.org/wiki/Support_(art)

    In visual arts, the support is a solid surface onto which the painting is placed, typically a canvas or a panel.Support is technically distinct from the overlaying ground, [1] but sometimes the latter term is used in a broad sense of "support" to designate any surface used for painting, for example, paper for watercolor or plaster for fresco.