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Ansel Adams: Half Dome, Apple Orchard, Yosemite trees with snow on branches, April 1933 Exhibition poster. Group f /64 or f.64 was a group founded by seven American 20th-century San Francisco Bay Area photographers who shared a common photographic style characterized by sharply focused and carefully framed images seen through a particularly Western (U.S.) viewpoint.
The best known of these images is Adams' first masterpiece: Monolith, the Face of Half Dome, taken in Yosemite Valley. The photographs he took on these trips became the core of the Parmelian Prints portfolio. [3] According to Adams, the idea for the portfolio came from Albert Bender, a well-known San Francisco art patron. The day after first ...
Adams was born in the Fillmore District of San Francisco, the only child of Charles Hitchcock Adams and Olive Bray.He was named after his uncle, Ansel Easton. His mother's family came from Baltimore, where his maternal grandfather had a successful freight-hauling business but lost his wealth investing in failed mining and real estate ventures in Nevada. [2]
Friends of Photography was a nonprofit organization started by Ansel Adams and others in 1967 to promote photography as a fine art. During its existence the organization held at least 330 photography exhibitions at its galleries in Carmel and San Francisco, California, and it published a lengthy series of monographs under the name Untitled.The organization was formally dissolved in 2001.
Taos Pueblo is a book by Ansel Adams and Mary Hunter Austin.Originally published in 1930, it is the first book of Adams' photographs. A seminal work in his career, it marks the beginning of a transition from his earlier pictorialist style to his signature sharp-focused images of the Western landscape.
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San Francisco de Asís was the subject of several paintings by Georgia O'Keeffe [9] [10] and photographs by Ansel Adams, Paul Strand and Ned Scott. O'Keeffe described it as "one of the most beautiful buildings left in the United States by the early Spaniards." [6]
Adams was photographing the Manzanar relocation camp for Japanese Americans, in 1943 and 1944, when he took this photograph, which he considered one of his best. Adams drove for four days to Lone Pine, in the winter of 1944, very early in the morning, hoping to be able to capture a picturesque sunrise photograph of the local Sierra Nevada, but faced the heavily cloudy weather and was unable to ...