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Christopher Ries (b. 1952) Henry Richardson (b. 1961) Richard Ritter (b. 1940) Stephen Rolfe Powell (1951-2019) Ginny Ruffner (b. 1952) Italo Scanga (1932-2001) Mary Shaffer (b. 1947) Josh Simpson (b. 1949) Paul Joseph Stankard (b. 1943) Therman Statom (b. 1953) Jack Storms (b. 1970) Tim Tate (b. 1960) Michael Taylor (b. 1943) Cappy Thompson (b ...
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Fused and kiln-formed glass sculpture. Glass fusing is the joining together of pieces of glass at high temperature, usually in a kiln. [1] [2] This is usually done roughly between 700 °C (1,292 °F) and 820 °C (1,510 °F), [3] [4] and can range from tack fusing at lower temperatures, in which separate pieces of glass stick together but still retain their individual shapes, [5] to full fusing ...
Katherine Gray (born 1965) is a Canadian glass artist and professor of art at California State University, San Bernardino. [ 1 ] [ 2 ] Her work includes vases , candelabras , and goblets , and some of her pieces are designed to fit inside each other.
Karen Willenbrink-Johnsen (born 1960, Cincinnati, Ohio) is an American glass artist and educator. She attended Ohio University. [1] She went on to work as an assistant to the glass artist William Morris. [2] She often collaborates with her husband, Jasen Johnsen. [3]
Her work is in the Corning Museum of Glass, [3] the Museum of Fine Arts, Houston, [6] and the National Museum of Women in the Arts, [7] among others. Tuwaletstiwa, along with fellow artists Tom Joyce and Karen Willenbrink-Johnsen , created the series Trinity/Ashes for the exhibition Living and Dying in the Nuclear Age for the City of ...
Higgins Glass refers to any piece of art glass or fused glass fashioned by Michael and Frances Higgins, of Chicago, Illinois, United States, during the last half of the 20th century. Their work combines a Kandinsky -esque visual aesthetic with an emphasis on functionality of the finished pieces.
Roots of Knowledge is a permanent stained glass display completed in 2016 at Utah Valley University (UVU) in Orem, Utah, United States. The creation of the exhibit was designed and overseen by stained glass artists Tom Holdman and Cameron Oscarson. It took over 12 years and cost US$4.5 million to complete.