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The utilization of thin stone veneer for complete facades of buildings popped up in the 1940s. Stone veneer construction became much of what we see today in the 1950s. Transportation improved, so stone veneer was transported more efficiently and at lower costs than ever before. Methods to attach veneer to steel were developed; diamond-bladed ...
Because the masonry veneer is non-structural, it must be tied back to the building structure to prevent movement under wind and earthquake loads. Brick ties are used for this purpose, and may take the form of corrugated metal straps nailed or screwed to the structural framing, or as wire extensions to horizontal joint reinforcement in a fully masonry veneer or cavity wall.
Sand shading is a process used to make a picture appear to be more three-dimensional. A piece of veneer to be incorporated into a picture is partially submerged in hot sand for a few seconds. Another shading process is engraving fine lines into a picture and filling them with a mixture of India ink and shellac.
Veneer grafting, or inlay grafting, is a method used for stock larger than 2.5 centimetres (1 in) in diameter. [13] The scion is recommended to be about as thick as a pencil. Clefts are made of the same size as the scion on the side of the branch, not on top.
Travertine is a sedimentary rock formed by the chemical precipitation of calcium carbonate minerals from fresh water, [4] typically in springs, rivers, and lakes; [5] [6] that is, from surface and ground waters. [7]
"Silent illumination" or "silent reflection" was the hallmark of the Chinese Caodong school of Chan. [web 2] The first Chan teacher to articulate silent illumination was the Caodong master Hongzhi Zhengjue (1091—1157), who wrote an inscription entitled "silent illumination meditation" (Mokushō zen 默照禅 or Mòzhào chán 默照禪). [9]
The famous torii at Itsukushima Shrine. A torii (Japanese: 鳥居, ) is a traditional Japanese gate most commonly found at the entrance of or within a Shinto shrine, where it symbolically marks the transition from the mundane to the sacred, [1] and a spot where kami are welcomed and thought to travel through.
Ishihara was born Kuniko Ishigami, on December 24, 1986 in Tokyo, Japan.The origin of her stage name comes from the reverse of her surname "Ishihara" ("raw stone"), which she gave herself as a reflection of her identity as a diamond in the rough, and her given name "Satomi" ("Satomi"), which she gave as a reflection of her desire to be intelligent and beautiful, written in hiragana.