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David Allan Coe (born September 6, 1939) is an American singer and songwriter. [2] Coe took up music after spending much of his early life in reform schools and prisons, and first became notable for busking in Nashville .
A Matter of Life…and Death would be Coe’s final album for Columbia, a partnership that stretched back to 1974 and produced 21 studio albums. Coe and longtime producer Billy Sherrill enjoyed their biggest commercial success together in the 1980s with Top 5 singles “The Ride” and “Mona Lisa Lost Her Smile," but by the end of the decade a new generation of country singers were ...
Contains alternate versions of Coe's hits up to 1981, along with the original version of "You Never Even Called Me By My Name." [12] 1984 The Best of David Allan Coe — — 1985 17 Greatest Hits — 197 US: Gold; For the Record: The First 10 Years: 46 — US: Gold; 1986 I Love Country — — 1989 Crazy Daddy — —
Unlike Coe’s first two albums, his third showed full commitment to country music, and Coe would play a part in the evolution of what would become known as outlaw country. The Mysterious Rhinestone Cowboy was produced by Rod Bledsoe and boasted a coterie of Nashville’s top session musicians, including steel player Pete Drake , pianist Hargus ...
Johnny Paycheck (born Donald Eugene Lytle; May 31, 1938 – February 19, 2003) [1] was an American country music singer and Grand Ole Opry member notable for recording the David Allan Coe song "Take This Job and Shove It".
Then the camera man, sound recorder and director join David Allan Coe and film him playing a gig at the Tennessee State Prison where he admits to being a former inmate and tells a story of being there and seems to bring out friends of his onto the stage who still are inmates there and they perform a gospel number "Thank You Jesus" that they ...
Punky's friend Allen Anderson was played by Casey Ellison in his very first acting role. The goofy, yet lovable Allen was always making audiences laugh as he often guided Punky into trouble.
In the third verse, Coe notes "the only time I know I'll hear David Allan Coe is when Jesus has his final Judgment Day." In a spoken epilogue preceding the song's iconic closing verse, Coe relates a correspondence he had with Goodman, who stated the song he had written was the "perfect country and western song."