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Throughout their career, their songs differed from the predominant synth-pop British sound of the early 1980s, [2] instead fusing together 1960s rock and post-punk. [9] In their early years, the band purposely rejected synthesisers and dance music, [10] until Meat Is Murder, which contained keyboards as well as rockabilly and funk influences. [11]
The next studio album, Meat Is Murder (1985), reached the top of the British charts; the only single to be released from the album, "That Joke Isn't Funny Anymore" (1985), failed to break into the UK Top 40. The Smiths' next six singles all made the top 30 in the UK, and their third album, The Queen Is Dead (1986), climbed to number two in the ...
In the tradition of other Smiths compilations which largely overlapped except for a few songs, this album does contain two versions not available on any other of The Smiths' albums: the single mix of "Ask" and the 7-inch edit of "Last Night I Dreamt That Somebody Loved Me". The Singles compilation used the album versions of these songs.
"Heaven Knows I'm Miserable Now" is a song by English rock band the Smiths. Released as a single in May 1984, it reached No. 10 on the UK Singles Chart, [3] making it the band's first top ten single.
Their focus on a guitar, bass and drum sound, fusing 1960s rock and post-punk, was a rejection of the synth-pop sound predominant at the time. Several Smiths singles reached the top 20 of the UK Singles Chart, and all their studio albums reached the top five of the UK Albums Chart, including the number-one album Meat Is Murder (1985).
AllMusic's Tim DiGravina calls it "a standout among standouts from the Smiths' masterpiece third album, The Queen Is Dead." [9] In 2014, NME listed "There Is a Light That Never Goes Out" as the 12th-greatest song of all time. [4] In 2017, Rob Sheffield of Rolling Stone placed the song number one in his ranking of 73 songs by the Smiths. [17]
The album ranked number 3 among "Albums of the Year" for 1987 in the annual NME critics' poll, and "Girlfriend in a Coma" ranked number 11 among songs. [23] In 2000 it was voted number 601 in Colin Larkin's All Time Top 1000 Albums. [24] Rolling Stone said the record "stands as one of their best and most varied". [25]
Billboard named the song as the seventh best Smiths song, praising Marr's "uplifting" guitar line, [18] while Louder included the song in their unranked top ten Smiths songs, calling the track "beautifully written." [19] Rolling Stone ranked the song as the 11th best Smiths song, [5] while NME named it the band's 15th best. [20]