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It contains words and full music for some 60 of the madrigals and songs of the English Madrigal School. When selecting works for this book, Ledger decided to represent the major composers of 16th-century English music such as William Byrd and Thomas Morley with several madrigals, alongside individual works by lesser-known composers.
The English Madrigal School was the intense flowering of the musical madrigal in England, mostly from 1588 to 1627, along with the composers who produced them. The English madrigals were a cappella, predominantly light in style, and generally began as either copies or direct translations of Italian models. Most were for three to six voices.
ISBN 1-56159-174-2; The University of Reading Library featuring: Thomas Morley, A Plaine and Easie Introduction to Practicall Musicke. London, 1597 ; Philip Ledger (ed) The Oxford Book of English Madrigals OUP 1978; The Madrigal, Jerome Roche, 1972. ISBN 0-09-113260-6; Shaw, Watkins (1965). "Thomas Morley of Norwich". The Musical Times. 106 (1471).
1.3 Book III (Madrigali libro terzo), op. 3, five voices. (Ferrara, 1595) ... Download as PDF; Printable version ... if known. Madrigals are listed alphabetically by ...
Jacques Arcadelt – I Libro a 4, 1543. Author of the most reprinted book of madrigals. Francesco Corteccia – court composer to Cosimo I de Medici; Costanzo Festa – I Libro a 3, 1541. Bernardo Pisano; Cypriano de Rore- I Libro a 5, 1542; Philippe Verdelot – I Libro a 5, 1535. One of the first madrigalists, also associated with the Medici ...
The Triumphs of Oriana is a book of English madrigals, compiled and published in 1601 by Thomas Morley, which first edition [1] has 25 pieces by 23 composers (Thomas Morley and Ellis Gibbons have two madrigals) for 5 and 6 voices. The first 14 madrigals are for 5vv, the last 11 for 6vv. It was said to have been made to honour Queen Elizabeth I.
Nicholas Yonge (also spelled Young, Younge; c. 1560 in Lewes, Sussex – buried 23 October 1619 in St Michael, Cornhill, London) was an English singer and publisher. He is most famous for publishing the Musica transalpina (1588), the earliest collection of Italian madrigals with their words translated into English. [1]
Hengrave was a recusant household, but little religious music by Wilbye survives, and even less keyboard music (one piece in Clement Matchett's Virginal Book). His main interest seems to have been madrigals. A set of madrigals by him appeared in 1598, and a second in 1608, the two sets containing sixty-four pieces. [4]