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In 1920, the jazz age was underway and was indirectly fueled by prohibition of alcohol. [5] In Chicago, the jazz scene was developing rapidly, aided by the immigration of over 40 prominent New Orleans jazzmen to the city, continuous throughout much of the 1920s, including The New Orleans Rhythm Kings who began playing at Friar's Inn. [5]
This resulted in many black jazz musicians in 1920 having to defend their music against people who were trying to run them out of popular music and entertainment venues. After racially motivated violence broke out in Chicago in 1919, the local government created the Chicago Commission on Race Relations to hopefully help with the animosity ...
Jazz artists like Louis Armstrong originally received very little airtime because most stations preferred to play the music of white American jazz singers. Other jazz vocalists include Bessie Smith and Florence Mills. In urban areas, such as Chicago and New York, African-American jazz was played on the radio more often than in the suburbs.
The jazz pianist and composer Eubie Blake got his start in 1920s Vaudeville, [41] as did Louis Armstrong and other jazz musicians. [ 42 ] [ 43 ] Notable Black female blues singers who started on the Vaudeville stage included Ma Rainey , Bessie Smith , Clara Smith , Mamie Smith , Mamie Brown, Ida Cox , and Edmonia Henderson . [ 44 ]
This is a list of jazz musicians by instrument based on existing articles on Wikipedia. Do not enter names that lack articles. ... (1920–2010) [1] Banjo. Double ...
"The relatively small inner circles of acute jazz listeners in the 1920s recognized that black musicians played better, more mature, and more confident jazz". [ 7 ] Despite a significant bias that only black musicians could play "real" jazz, [ 7 ] white bands such as the New Orleans Rhythm Kings and the Original Dixieland Jazz Band emerged and ...
Jazz had become popular music in the country, although older generations considered the music immoral and threatening to old cultural values. [3] Dances such as the Charleston and the Black Bottom were very popular during the period, and jazz bands typically consisted of seven to twelve musicians.
While the Big Band Era suggests that big bands flourished for a short period, they have been a part of jazz music since their emergence in the 1920s when white concert bands adopted the rhythms and musical forms of small African-American jazz combos.