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Other uses include adding color, redirecting foot traffic, creating a foyer, adding a desk front modesty screen, creating coziness, or adding a decorative background. Most commonly used in the residence is a small room divider, sometimes called a folding shoji screen. Shoji screens are usually tri-fold walls.
A key feature of this modernist building is the glass curtain wall with 'opaque spandrel' panels that forms the façade overlooking South Lawn on the east side. [7] The Baillieu Library's furnishings included original Grant Featherston designs, including the iconic Mitzi chairs. Much of the original furniture still remains in use.
The walls of the anterooms contain panels with Greek fret designs, as well as bronze plaques with the bank's name and the dates of the bank's founding and the building's year of completion. The northern end of the banking room contains a marble staircase descending to the central doorway on Reade Street.
The Decoration of Houses, a manual of interior design written by Edith Wharton with architect Ogden Codman, was first published in 1897. In the book, the authors denounce Victorian-style interior decoration and interior design, especially rooms decorated with heavy window curtains, Victorian bric-a-brac and overstuffed furniture. They argue ...
The interior design profession became more established after World War II. From the 1950s onwards, spending on the home increased. Interior design courses were established, requiring the publication of textbooks and reference sources. Historical accounts of interior designers and firms distinct from the decorative arts specialists were made ...
Foyer and main drawing room — This was the principal setting for much of the series. A grand stairway and mezzanine overlooks the foyer and leads to the second floor. The parlor had large bay windows that overlooked the ocean. The paneling on the back wall contained the entrance to a secret passage that led to Quentin Collins' west wing study.
Within the foyer, there were carved wooden doors with inlaid paneled mirrors. [36] The tea room had artificial stone walls covered with painted-green wooden grillages; the skylight over the entire room was concealed by rafters and grillage with entwined vines. [33] [36] Adjoining the tea room was the Flemish-style banquet room, furnished in ...
360° panorama. Harmony in Blue and Gold: The Peacock Room (better known as The Peacock Room [1]) is a work of interior decorative art created by James McNeill Whistler and Thomas Jeckyll, translocated to the Freer Gallery of Art in Washington, D.C. Whistler painted the paneled room in a unified palette of blue-greens with over-glazing and metallic gold leaf.