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Kokopelli and Kokopelli Mana as depicted by the Hopi. Kokopelli (/ ˌ k oʊ k oʊ ˈ p ɛ l iː / [1]) is a fertility deity, usually depicted as a humpbacked flute player (often with feathers or antenna-like protrusions on his head), who is venerated by some Native American cultures in the Southwestern United States.
Tawa, the sun spirit and creator in Hopi mythology. Most Hopi creation stories center around Tawa, the sun spirit. Tawa is the creator, and it was he who formed the "First World" out of Tokpella, or endless space, as well as its original inhabitants. [4]
The Chinese word for "crisis" (危机) is not composed of the symbols for "danger" and "opportunity"; the first does represent danger, but the second instead means "inflection point" (the original meaning of the word "crisis"). [96] [97] The misconception was popularized mainly by campaign speeches by John F. Kennedy. [96]
During this period, mythological names almost always appeared in their Latin form. However, in the 19th century, there was a shift towards the use of either the Greek or Roman names. [3] For example, "Zeus" and "Jupiter" both became widely used in that century as the name of the supreme god of the classical pantheon.
Culture consists of the social behaviour and norms in human societies transmitted through social learning. [1] Amphibians have for centuries appeared in culture . From the fire-dwelling salamander to the frogs (and occasionally toads ) of myth and fairytale and the rare use of a newt in literature, amphibians play the role of strange and ...
Katharévousa (Καθαρεύουσα) is a form of the Greek Language midway between modern and ancient forms set in train during the early nineteenth century by Greek intellectual and revolutionary leader Adamantios Korais, intended to return the Greek language closer to its ancient form. Its influence, in recent years, evolved toward a more ...
Hierapolis (/ ˌ h aɪ ə ˈ r æ p ə l ɪ s /; Ancient Greek: Ἱεράπολις, lit. "Holy City") was a Hellenistic Greek city built on the site of a Phrygian cult center of the Anatolian mother goddess Cybele, [1] [2] in Phrygia in southwestern Anatolia.
Today the formal patterns of classical Greek sculpture, its humanism and emphasis on the nude have found a new way to impress society, influencing the conception of beauty and practices regarding the body, resurrecting a cultivation of the physical that was born with the Greeks and influences various customs related to sexuality and the concept ...