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"Hear Me Lord" is a song by English rock musician George Harrison from his 1970 triple album All Things Must Pass. It was the last track on side four of the original LP format and is generally viewed as the closing song on the album, disc three being the largely instrumental Apple Jam.
The Bed Sitting Room is a 1969 British black comedy film directed by Richard Lester, starring an ensemble cast of British comic actors, and based on the play of the same name. It was entered into the 19th Berlin International Film Festival. [2] The film is an absurdist, post-apocalyptic, satirical black comedy.
This article may be in need of reorganization to comply with Wikipedia's layout guidelines. Please help by editing the article to make improvements to the overall structure. (October 2017) (Learn how and when to remove this message) The following is a list of official music videos that were set and primarily filmed in London, England. Year Track Title Artist Video Director Location(s) 1965 ...
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Hear Me may refer to: Hear Me, a 2009 Taiwanese movie "Hear Me" (song), a song by Imagine Dragons; Hear Me, an EP by Imagine Dragons "Hear Me", a song by Jeannie Ortega from No Place Like BKLYN "Hear Me", a song by Kelly Clarkson from Breakaway
"Awaiting on You All" is a song by English musician George Harrison, released on his 1970 triple album, All Things Must Pass. Along with the single "My Sweet Lord", it is among the more overtly religious compositions on All Things Must Pass, and the recording typifies co-producer Phil Spector's influence on the album, due to his liberal use of reverberation and other Wall of Sound production ...
The Beatles assembled at Twickenham Film Studios on 2 January 1969, accompanied by the film crew, and began rehearsing. Cameraman Les Parrott recalled: "My brief on the first day was to 'shoot The Beatles.' The sound crew instructions were to roll/record from the moment the first Beatle appeared and to record sound all day until the last one left.
Reviewing the 30th anniversary edition of the album, James Hunter of Rolling Stone enthused about the performance: "Imagine a rock orchestra recorded with sensitivity and teeth and faraway mikes: bluesy and intricate on Harrison and Dylan's 'I'd Have You Anytime,' fizzy on 'Apple Scruffs,' grooving on 'Let It Down,' and spookily proto-disco on ...