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Sonnet 71 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It's a member of the Fair Youth sequence, in which the poet expresses his love towards a young man. It focuses on the speaker's aging and impending death in relation to his young lover.
Three sonnets are found in Romeo and Juliet: The prologue to the play ("Two households, both alike in dignity…"), the prologue to the second act ("Now old desire doth in his death-bed lie…"), and set in the form of dialogue at the moment when Romeo and Juliet meet:
The play ascribes different poetic forms to different characters, sometimes changing the form as the character develops. Romeo, for example, grows more adept at the sonnet over the course of the play. Romeo and Juliet has been adapted numerous times for stage, film, musical, and
Shakespeare combined the two throughout his career, with Romeo and Juliet perhaps the best example of the mixing of the styles. [200] By the time of Romeo and Juliet, Richard II, and A Midsummer Night's Dream in the mid-1590s, Shakespeare had begun to write a more natural poetry. He increasingly tuned his metaphors and images to the needs of ...
These four plays are argued to represent a phase of Shakespeare's career when he was experimenting with rhyming iambic pentameter as an alternative form to standard blank verse; Richard II has more rhymed verse than any other history play (19.1%), Romeo and Juliet more than any other tragedy (16.6%) and Love's Labour's and Midsummer Night more ...
But now those of his verses that benefited from the young man's grace ("gracious numbers"), are "decayed" because the youth's favors are being spread out and because the muse is not healthy ("sick muse"), which is a strange description considering the first line of Sonnet 78: "So oft have I invoked thee for my Muse".
& Juliet is a 2019 coming-of-age jukebox musical featuring the music of Swedish pop songwriter Max Martin, with a book by David West Read.The story focuses on a "what if" scenario, where Juliet decided not to kill herself at the end of Shakespeare's Romeo and Juliet.
The first line of the couplet gives the young man the power to cause one to thrive and the other to be cast away, but the last line shows that is delusional, since the poet maintains his responsibility for his own decay, a word that Sonnet 79 confines to a lapse in poetic talent ("But now my gracious numbers are decayed"). [2] [3]