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Media in category "King Crimson album covers" The following 20 files are in this category, out of 20 total. ... File:The Power to Believe album cover.jpg; File:The ...
In his 1997 book Rocking the Classics, critic and musicologist Edward Macan notes that In the Court of the Crimson King "may be the most influential progressive rock album ever released". Macan went on to argue that In the Court of the Crimson King presented an example of every significant element of a mature progressive rock genre. Further ...
The album's outside cover consists of the words 'King Crimson' spelled out in ornate medieval illuminated or historiated lettering, the word 'King' on the back cover and the word 'Crimson' on the front cover, with each letter incorporating one or two discrete images. These images in turn represent Sinfield's lyrics from the album – the images ...
In the Wake of Poseidon is the second studio album by English progressive rock group King Crimson, released in May 1970 by Island Records in Europe, Atlantic Records in the United States, Philips Records in Australia, and Vertigo Records in New Zealand. To date the album is their highest-charting in the UK, reaching number 4.
Larks' Tongues in Aspic is the fifth studio album by the English progressive rock group King Crimson, released on 23 March 1973 [2] through Island Records in the UK and Atlantic Records in the United States and Canada.
PJ Crook's paintings are featured on the covers of many King Crimson albums. Many of these albums are produced by Discipline Global Mobile (DGM), the music company founded by Robert Fripp. Crook retains the copyrights and moral rights to her artwork.
The original United States and Canadian album cover (as released by Atlantic) was the off-white Peter Sinfield painting - with coloured "islands" - which featured on the internal gatefold in the rest of the world. When the King Crimson catalogue was re-issued, the "Trifid Nebula" cover was standardised worldwide.
The dense sound of the album was created through multiple guitar and keyboard overdubs and guest appearances by musicians including former King Crimson members Ian McDonald and Mel Collins on saxophones, classical oboist Robin Miller and English jazz trumpeter Mark Charig. Many of the album's motifs were conceived during the band's live ...