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Medieval stained glass is the colored and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
William Warrington, (1796–1869), was an English maker of stained glass windows. His firm, operating from 1832 to 1875, was one of the earliest of the English Medieval revival and served clients such as Norwich and Peterborough Cathedrals. Warrington was a historian of medieval glass and published an illustrated book The History of Stained Glass.
The interior is made of mahogany and other woods, intricate moldings, gold-leaf stencils, and stained glass. The 10-foot high ceilings are painted viva gold, baize green, and fiery brown. When New York City banned wooden train cars from its tunnels, John Ringling decided to sell the Wisconsin.
English Gothic stained glass windows were an important feature of English Gothic architecture, which appeared between the late 12th and late 16th centuries.They evolved from narrow windows filled with a mosaic of deeply-coloured pieces of glass into gigantic windows that filled entire walls, with a full range of colours and more naturalistic figures.
The stained glass of Islam is generally non-pictorial and of purely geometric design, but may contain both floral motifs and text. Stained glass creation had flourished in Persia (now Iran) during the Safavid dynasty (1501–1736 A.D.), and Zand dynasty (1751–1794 A.D.). [27]
The vibrant colored medieval glass, in both England and France, would be an inspiration for her later work in stained glass. [1] In Paris, Redmond took art classes with Lucien Simon and Ernest Millard at the Académie Colarossi. [3] When Redmond returned to Boston, she worked with Charles Connick, the leader in American stained glass. Under ...