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Plato's conception of Forms actually differs from dialogue to dialogue, and in certain respects it is never fully explained, so many aspects of the theory are open to interpretation. Forms are first introduced in the Phaedo , but in that dialogue the concept is simply referred to as something the participants are already familiar with, and the ...
The Form of the Good, or more literally translated "the Idea of the Good" (ἡ τοῦ ἀγαθοῦ ἰδέα [a]), is a concept in the philosophy of Plato.In Plato's Theory of Forms, in which Forms are defined as perfect, eternal, and changeless concepts existing outside space and time, the Form of the Good is the mysterious highest Form and the source of all the other Forms.
There were three periods: the Old, Middle, and New Academy. The chief figures in the Old Academy were Speusippus (Plato's nephew), who succeeded him as the head of the school (until 339 BC), and Xenocrates (until 313 BC). Both of them sought to fuse Pythagorean speculations on number with Plato's theory of forms.
Within Plato's hierarchy of Forms, the many lower-level Forms of the species derive from and depend on the higher and more general Forms of each genus. This leads to the supposition that the introduction of Forms was only a step on the way from the maximum multiplicity of appearances to the greatest possible unity.
Diairesis is Plato's later method of definition based on division, developed in the Platonic dialogues Phaedrus, Sophist, Statesman, and Philebus. Further applications are found in the Laws [2] and Timaeus. It is a means of attempting to reach a definition by which a collection of candidates is repeatedly divided into two parts with one part ...
In Plato's Republic, the character of Socrates is highly critical of democracy and instead proposes, as an ideal political state, a hierarchal system of three classes: philosopher-kings or guardians who make the decisions, soldiers or "auxiliaries" who protect the society, and producers who create goods and do other work. [1]
Plato's disquiet is focused on popularisers of subtle interpretation, not on the method itself ... [10] The core of Plato's philosophy is the Theory of Forms (or Ideas), and many writers have seen in this metaphysical theory a justification for the use of literary allegory. Fletcher, for example, wrote:
Plato's forms are regarded as patriarchs to essentialist dogma simply because they are a case of what is intrinsic and a-contextual of objects—the abstract properties that make them what they are. One example is Plato's parable of the cave. Plato believed that the universe was perfect and that its observed imperfections came from man's ...