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In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
In music, the subtonic is the degree of a musical scale which is a whole step below the tonic note. In a major key , it is a lowered, or flattened, seventh scale degree ( ♭ ). It appears as the seventh scale degree in the natural minor and descending melodic minor scales but not in the major scale .
Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
Undertone series on C. [1] In music, the undertone series or subharmonic series is a sequence of notes that results from inverting the intervals of the overtone series.While overtones naturally occur with the physical production of music on instruments, undertones must be produced in unusual ways.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The sub-minor sixth is an interval of a 14:9 ratio [6] [7] (A ♭) or alternately 11:7. [5] (G ↑-Play ⓘ) The 21st subharmonic (see subharmonic) is 729.22 cents. Play ⓘ Septimal major third on C Play ⓘ A supermajor third is in between a major third and an augmented third, enharmonically equivalent to the minor fourth.
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A suspended chord (or sus chord) is a musical chord in which the (major or minor) third is omitted and replaced with a perfect fourth or a major second. [1] The lack of a minor or a major third in the chord creates an open sound, while the dissonance between the fourth and fifth or second and root creates tension.