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Hamid Naderi Yeganeh (Persian: حمید نادری یگانه; born 26 July 1990, in Iran [1]) is an Iranian mathematical artist and digital artist. [2] [3] [4] He is known for using mathematical formulas to create drawings of real-life objects, intricate and symmetrical illustrations, animations, fractals and tessellations.
The mathematical influence in his work became prominent after 1936, when, having boldly asked the Adria Shipping Company if he could sail with them as travelling artist in return for making drawings of their ships, they surprisingly agreed, and he sailed the Mediterranean, becoming interested in order and symmetry. Escher described this journey ...
Mathematics and art are related in a variety of ways. Mathematics has itself been described as an art motivated by beauty. Mathematics can be discerned in arts such as music, dance, painting, architecture, sculpture, and textiles. This article focuses, however, on mathematics in the visual arts. Mathematics and art have a long historical ...
Fine art: Equations-inspired mathematical visual art including mathematical structures. [31] [32] Hill, Anthony: 1930– Fine art: Geometric abstraction in Constructivist art [33] [34] Leonardo da Vinci: 1452–1519: Fine art: Mathematically-inspired proportion, including golden ratio (used as golden rectangles) [19] [35] Longhurst, Robert ...
The Mandelbrot set, one of the most famous examples of mathematical visualization.. Mathematical phenomena can be understood and explored via visualization.Classically, this consisted of two-dimensional drawings or building three-dimensional models (particularly plaster models in the 19th and early 20th century).
Using mathematical manipulatives helps students gain a conceptual understanding that might not be seen immediately in written mathematical formulas. [15] Another example of beauty in experience involves the use of origami. Origami, the art of paper folding, has aesthetic qualities and many mathematical connections.
Artists may choose to "correct" perspective distortions, for example by drawing all spheres as perfect circles, or by drawing figures as if centered on the direction of view. In practice, unless the viewer observes the image from an extreme angle, like standing far to the side of a painting, the perspective normally looks more or less correct.
In mathematics, the real projective plane, denoted or , is a two-dimensional projective space, similar to the familiar Euclidean plane in many respects but without the concepts of distance, circles, angle measure, or parallelism.