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Shanghai-style papercutting is a variety of papercutting practiced in south China, and in particular in Shanghai.. The making of papercuts is a popular folk art in China. In the hands of an artisan, and with the help of a knife or a pair of scissors, a piece of paper can be turned into any of a wide variety of patterns – landscapes, flowers, birds, animals and human figures.
Printable sheet to make a metro train of the Valencia Metro (Venezuela). This may be considered a broad category that contains origami and card modeling. Origami is the process of making a paper model by folding a single piece of paper without using glue or cutting while the variation kirigami does.
Pfaltzgraff is known for their stoneware collections and has released many patterns, some of the most popular including Folk Art, Yorktowne, Village, and America patterns. Pieces of the collection are identified by a Pfaltzgraff stamp on the bottom or back of the dishes.
186 etched glass at Bankfield Museum. Glass etching, or "French embossing", is a popular technique developed during the mid-1800s that is still widely used in both residential and commercial spaces today. Glass etching comprises the techniques of creating art on the surface of glass by applying acidic, caustic, or abrasive substances.
The digital glass printer is a flatbed digital printer designed with print heads to jet ceramic inks directly onto the glass. [5] The glass remains stationary while only the printer carriage sweeps across the print table. A key feature of the printer is drop fixation in which ink droplets are dried immediately to prevent drop gain. The fixation ...
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Feathering – creating feather-like patterns on a glass by dragging a metal tool across the surface of a newly applied wrap. Frit – crushed glass often melted onto other glass to produce patterns and color; Incalmo – the grafting or joining together, while still hot, of two separately blown glass [bubbles] to produce a single [bubble]. [4]
Originating in Europe, and probably based on the Japanese craft of bonseki (aka 'tray-painting'), marmotinto was fleetingly popular in England following a 1783 dinner party given by George III [1] at Windsor Castle who was taken with a display of unfixed coloured sands, sugars and marble dust arranged under glass upon the surface of the dinner ...